Igor Vladimirov

The life of the intellectual Samgin, depicted against the backdrop of the grand panorama of Russian life from 1877 to 1917.

The series tells about how police officers, investigating the case of robberies and murders in hotels, managed not only to neutralize, but also to expose major plunderers of socialist property.

The enemy agents from an unknown nation have secret automated facilities set up in the Atlantic and Pacific oceans for the purposes of sinking ships. The super submarine "Pioneer" and it's intrepid crew is dispatched to find the source of these mysterious sinking's...Unknown to the captain, his chief engineer is working for the bad guys, intent on stopping their efforts, at any cost...It seems the real chief had a twin brother who was a circus acrobat who murdered and replaced him.

No description available.

The body of a young woman is found in a construction quarry. The deceased is Vera Topilina, secretary to the head of the Main Directorate, Menshutina. Moscow Criminal Investigation Department inspectors Vasilyev and Losev investigate the causes of the woman's death. Ultimately, the investigation leads the operatives to major players in the shadow economy.

A classic mystery story based on Arkadi Adamov novels. A task force is investigating a series of routine thefts at hotels. Upon closer examination of the case, young criminal investigator Vitaly Losev unexpectedly uncovers major players in the shadow economy who were involved in speculation and theft of state property.

The construction of the Aswan dam as seen by those who took part in it: engineers, workers, Egyptians, and Soviets.

The story is about how a metropolitan writer, concerned about the “fifth point of his questionnaire,” instead of the noble or, at worst, rabbit fur assigned to him by rank, was given a “medium fluffy domestic cat” at the Literary Fund, and how he, previously quiet and inconspicuous, ventured to a “mutiny on a ship” confidently cutting through the waters of “socialist realism.”

About Russian space program and missile industry, and it's founder Sergei P. Korolev, from the 1920s to the first man in space in 1961.

The film raises acute issues in construction, where, back in the 1970s, all the social shortcomings of large-scale but short-term production projects were concentrated: premature completion of projects, mismanagement, weak control, theft, and fraud.

The young scientist has everything - an apartment, a car, a position in the scientific community, but his soul is as if immersed in hibernation. And only the death of his mother and a meeting with his matured daughter, who had her first and unrequited love, awaken his soul, which has fallen into lethargy.

Grekov, the chief engineer of the instrument—making plant, is looking for a way out of the difficult situation at the plant: suppliers fail - they have to resort to assault, technology is disrupted, and quality suffers. The Institute of Production Management Problems, to which Grekov is seeking help, suggests introducing a new, as yet untested automated control system at the plant. Grekov agrees, although his colleagues, as one, believe that he chose the wrong time for this.

After the death of her father, Antonina Staroselskaya has difficulty finding work. A dull life is the cause of illness. A merchant seaman takes care of the sick Tona. After the marriage, he is arrested for smuggling, and the care of Tonya is transferred to a neighbor, who beats her from time to time. A chance meeting with the builders of a residential area awakens the desire to be closer to people, to become needed by someone - and Tonya comes to the construction site...

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Vasily Gubanov, the son of the film “The Communist”’s hero, arrived in Moscow not on call or for a business trip. Instead, he came to raise the issue with government authorities about halting the construction of a chemical plant. Despite being the author of the project, which was in full swing, millions of state funds had been spent, and thousands of people’s lives were tied to its completion.

Grekov, the chief engineer of the instrument—making plant, is looking for a way out of the difficult situation at the plant: suppliers fail - they have to resort to assault, technology is disrupted, and quality suffers. The Institute of Production Management Problems, to which Grekov is seeking help, suggests introducing a new, as yet untested automated control system at the plant. Grekov agrees, although his colleagues, as one, believe that he chose the wrong time for this.

A recognized mathematician proves to the plant management that the new pipe rolling mill needs to be stopped and improved. The conflict ruins his daughter’s personal life when she is abandoned by her fiancé, the head of a pipe-rolling shop, a careerist and a coward. Yielding to the persuasion of a friend, the hero decides to leave practical activities and move to Sverdlovsk to devote himself entirely to science. However, realizing that the source of his talent is practice, he returns to his home factory...

Moscow militia detectives are investigating a death of a young girl whose body was found in the construction site.

Alisa Freyndlikh in a rush — there isn't a single calm, free minute. Rehearsals, discussions of roles with Igor Vladimirov, her daughter Varya's birthday, daytime and evening performances, meetings with the audience...

The protagonist of the film, Druyanov, is the director of a large boiler manufacturing plant — a talented man with vast life experience, capable of understanding current challenges and looking into the future. However, he is about to be dismissed from his position. A young appointee is in no hurry to take over and comes to familiarize himself with the plant. In the end, taking the side of the director who wants to reconstruct and modernize the workshops, he realizes that he has not yet reached Druyanov’s level.