Samuel Doux

After witnessing the harrowing November 13, 2015 terrorist attacks, Christelle "Chris" Blandin quickly latches onto a community of survivors. Claiming that her best friend Vincent was one of dozens critically injured at the Bataclan Theatre, Chris becomes an indispensable resource for the group but discrepancies begin to pepper her story – raising serious doubts among the true victims of the tragedy.

AJ, a shy teenag­er, meets Kris­ten while in high school in Los Ange­les. Kris­ten is pas­sion­ate about surf­ing… and she’s the most beau­ti­ful per­son he’s ever met. He falls mad­ly in love with her. As life seems to final­ly come togeth­er for AJ, Kristen’s life starts falling apart, shat­tered by ill­ness. Togeth­er, they will fight adver­si­ty with dig­ni­ty and enjoy their now-shared pas­sion for surf­ing and for the ocean, but also their loy­al band of friends… even when they know Kris­ten is doomed. This is what hap­pens when love and friend­ship become a wave stronger than anything.

Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

French-American artist Niki de Saint-Phalle, from the age of 23, is a model and an aspiring actor who is married and has a two year old daughter. Together, they flee the U.S. during the oppressive McCarthy era and come to France, where they experience a short-lived euphoria. Soon, distant and frightening memories begin to emerge in Niki’s mind. Her vocation as an artist will be her salvation.

Thomas is a drug addict. In an effort to put an end to his habit, he joins a community of former addicts who live isolated in the mountains and use prayer as a way to cure themselves.

Constance, a 40-years-old real estate agent, gets fired from her job. With no options left, she contacts her former boss, from the small agency where she started her career. To her surprise, he is hiring, but explains he may have already found someone. Constance is convinced she will get the job because of her experience and extensive qualifications. But when Audrey, a younger and prettier woman, is hired instead, it proves too much for Constance to take.

Isabelle Adjani is Carole Matthieu – a workplace physician employed in a call centre who has become emotionally involved in the suffering of her humiliated co-workers.

Who is this Karim D. ? The new young writer whom the media can't get enough of? Or his alias, Arthur Rambo, the author of old hate-fuellled messages which are dredged up, one day, from social media websites?

Sybille, a divorced mother, can't stand watching her teenage son Samuel slip into a violent and meaningless life. She is also struggling with her own demons, past and present. As a last resort, she takes Samuel on a long journey across Kyrgyzstan.

A mother of two gathers her loved ones to celebrate her birthday in her big house near the Loire Valley. The festivities are disrupted by the arrival of her daughter, who is known for her unpredictable outbursts.

In the wake of his wife’s death, Simon tries to make a fresh start by moving with his son Camille to Dubai. In that extraordinary city, Camille manages to forget, let go, and begin a new life. But for Simon, it’s not so easy. He begins to feel an alarming presence in their home - someone quietly, patiently lurking in the shadows. Could it really be his double? Simon slowly succumbs to anxiety and thinks he is going mad. But he’s not the only one to feel threatened this way. It seems to be happening to all people in Dubai who refuse to cut off all ties to their past.

A young high school student marked by the recent death of her mother, Gwen, spends her time with her group of friends, including her lover Thomas, an apprentice baker. When Jean-Luc, a Parisian student who looks like an artist, moves into the area, Gwen does not hide her trouble, as if a decisive life choice was before her. One day, she discovers a film at the cinema that seems inexplicably inspired by her own life. Will she find the answers she is looking for?

To fight against the introduction of automatic checkouts that threaten their jobs, staff members at Hard Discounts secretly create their own "Alternative Discount" outlet by salvaging products that would otherwise have been wasted.

Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.

Life takes Lucie and mistreats Ezra. It is not because somewhere else it is better, but it is that here to live is impossible.

In a loveless relationship, Zoé ditches her faceless boyfriend in a cheap motel room and sets off north without a penny to her name. She hitch-hikes, pilfers a meal from a gas station, encounters strangers who could be her next ride or a passing glimpse, ambling toward some unknown destination. At the end of her pilgrimage, Zoé reaches the English Channel; on the ferry a woman mysteriously disappears. A new coat gives Zoé a new identity, but even in a new country she's not quite sure she's escaped herself.

A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.

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Talks about the iconographical sources that Walt Disney and his studio's designers drew on to create the films that are incontestably among the masterpieces of animation.