Hitoshi Ishikawa

A married ad designer (Meguro) is having an affair with a married woman (Ming). When an ad agency head visits Meguro, it's revealed that he's Ming's husband (Shanwei). Shanwei warns Meguro to not only continue the affair but also record (for Shanwei) and "mentor" Ming in a series of escalating sexual domination/humiliation rituals. If Meguro refuses, Shanwei will disclose the affair to everyone, including Meguro's wife.

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Young single mother Emiko (Saori Seto) uses factory worker Shinnosuke (Amane Okayama) for money. They met through an online dating website and Shinnosuke is completely in love with her. Meanwhile, Emiko's ex-husband is demanding money from her.

The fifth and final 'The Way to Fight' film.

20XX SM, a super rare video starring Masaru Matsuda, a new cult hero who runs through an era without drug morals!

There is a man who has many sex slaves. Another man offers his wife as a sex slave to him and the slave owner agrees. He adds the man's wife to his stable. Alas, the husband comes to reverse his decision and takes his wife back. The reversal of the arrangement causes trauma.

Saeko works at a bar, and she is waitng for her lover Huyuhiko who was jailed. One day, Huyuhiko comes back. He starts working, but soon he quit the job and grow desperate. Saeko supports Huyuhiko, but because of the debt, she was raped...

Shigeru meets Ichimi at a club and they get involved. Her yakuza husband complicates matters.

A porn film director supports his wife and child while facing the complexities of the industry. Upon rediscovering an 18mm film he made as a student, he starts to question his life.

I do not stand in the case of emergency! The beautiful married woman who knew the delicate trouble of virginity…. A case full of joys and sorrows that the virginity pervert man who I outrun an emergency brake of the reason, and dashes causes.

Small-time con man Jiro makes his living tricking small businesses out of large sums of money. In the process he acquires a helpmate Kumiko, a refugee from her stepfather's sexual abuse. But things start to get out of control when yakuza boss Kamewada muscles in on the action.

A depressed private detective who spends his days digging through love hotel trash for his cases meets a free spirited young woman who lives next door.

In post-apocalyptic Yokohama, a hard-boiled cop and a mellowed out drifter hook up with a gang of rebels. When the gang kidnap the cop's son, the wheels are set in motion for an inevitable showdown.

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Mio and Maki are sisters who, after losing their parents, inherit a vast fortune and begin living alone in a mansion. Two men and a lawyer approach them with hidden motives, aiming to take both their wealth and their bodies. The men confine them, restrain them, and subject them to abuse as they search for the official seal required to access the inheritance. Is there no hope left for them to resist?

Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.

A young man, Keiji, loses at mahjong and has to work at a snack bar to pay off his debt. There he meets Yoko, a woman with a bewitching atmosphere, and falls in love with her at first sight. However, Yoko has a missing yakuza husband and she is forced to work in his place.

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Hiroe, a high school girl, kills Takezo Murata, a man who is an enkou dating partner, from a little momentum. Hiroe abandons Takezo's corpse with four friends, but Takezo revives.

When a hapless man discovers his fiancé doing kinky things with another man he hires a SM mistress to teach him the finer points of bondage and discipline. Revenge will be his… at the end of a whip.