Jeffrey Chiu Wing Wa

Fai, a ten-year-old boy who is a new immigrant from mainland China, he lives in a narrow suite with his mother and his step-father.

At some point in life an age-old question will inevitably crop up: Do we swim against the tide or go with the flow? The band, Against the Tide, was doomed before it even started. A year later, the songwriter is selling his soul to catchy pop tunes and commercial music, hitching his wagon to else’s grand schemes while being hitched by a young music devotee; the bassist is venturing north across the border; the drummer is working as an insurance agent and all set for fatherhood. Before the factory building is demolished for a lucrative redevelopment scheme, the band members, bar one, return to their studio to clear out the place, contemplating making a final appearance for a farewell gig. The reunion takes place, albeit obliquely, each member putting their best foot forward to steer their own course.

A property management corporation, which outsources its security service, has recently changed its contracted service provider. Having discovered that the scheme involves nepotism, the supervisor of the corporation exposes the hidden truth, which provokes huge tumult.

A mistake at the hospital cost a life and a young woman sits on the rooftop and wants to kill herself. Who is to be blamed? The rigid system or indifferent people? For Ng Ho Yin, there is no simple explanation. Adopting a bold approach, he reconstructs the incident in an unconventional order to highlight different individuals personal experience. By doing so, he is also posing a critique on the collective mentality of witch-hunting.