Jorge Dória

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Zorra Total is a Brazilian television comedy broadcast by Globo Network. It was launched on March 25, 1999 and has aired on Saturdays, at 10p.m., ever since May 1999. The show is a sketch comedy show. It is the audience leader on its slot.

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The soap opera portrayed the daily lives of three generations to show that there is no ideal time to love and be happy. The relationship between widower Álvaro and lawyer Bruna is shaken by the arrival of sweet Madalena in the fictional town of Nova Esperança. The young woman is hired as a housekeeper for businessman Xistus, Álvaro's father-in-law, and charms everyone.

A traffic accident causes four women's destinies to intertwine. In the series, the four enter a pact of revenge against the men who hit them and caused them to suffer. Auxiliadora struggled to help her husband Alcebíades prosper, but when he leaves her for a younger woman, is thrown out of the house. The shy Tatiana was engaged to Fortunato, who failed to show up at their wedding. The Babalu hurricane caught mechanic Raí in bed with another woman. Abigail, a preppy psychologist who is struggling in a failing marriage, decides superficially to continue it but revolts against her husband, Gustavo, who humiliates her in public at a congress. Gustavo has custody of Ângela, a girl who longs to know her true father, Bruno. Her mother died in the childbirth, traumatizing him.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Waldomiro Cerqueira is a powerful businessman who built his empire exploiting mineral deposits and suddenly finds himself under threat of losing it due to family conflicts.

Maria do Carmo becomes wealthy through her father's business dealings and becomes a successful businesswoman, but she retains the habits of her humble past.

The plot tells the story of Celestina, an angel responsible for Brazil. When threatened by God with being sent to the country she was supposed to help grow, she despairs and seeks out her friend, the angel Gabriel. To help Celestina, Gabriel asks the Almighty to let her stay in heaven for another six months. God, however, imposes a condition: Celestina must make a Brazilian citizen more honest, dignified, and compassionate, without disrespecting the free will that every human being should have. To fulfill her mission, Celestina chooses the swindler Maria Escandalosa, a charismatic, beautiful, and kind-hearted young woman, daughter of the equally swindler Tomás Euclides. Convinced that she will transform the girl's character, Celestina disobeys divine laws and saves her from an explosion, then begins to watch over the young woman's life on Earth.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Santos Dumont's daughter, Marisa Dumont, known as Zazá, flies over the Eiffel Tower in a replica of the 14 Bis. During one of her flights, she decides to find guardian angels to protect her seven children.

In Rome, Armando confesses to Father Guido Bellini that he is being hunted by a criminal organization led by a young man with paranormal powers. Some time later, Guido discovers that Armando has died and, feeling guilty for not having tried to prevent the man's murder, decides to leave the priesthood and return to Brazil. In the city of São Paulo, Guido dedicates himself to the study of paranormal phenomena in order to combat the organization led by César Zapata and his son Fred, the powerful young man to whom Armando referred. To confront the Zapatas, Guido relies on the help of Alef, also a paranormal young man who does not yet have full control of his powers. Alongside his fight against the criminal organization, Guido has a romance with Débora, Alef's mother. His main opponent, César, also likes Débora and does everything to separate her from Guido. He wages a veritable war against the former priest, using Fred's evil powers.

The plot unfolds across two distinct worlds: Dr. Cristiano Navarro’s hospital and an impoverished neighborhood on the outskirts of São Paulo. While doctors at the hospital fight to save lives using state-of-the-art medical technology, young Emanuel—living in the neighborhood—demonstrates the ability to perform miraculous, extraordinary healings with just the touch of his hands. Dr. Cristiano is married to Linda, a wealthy, refined woman twenty years his junior. They long for a child but have been unable to conceive. Linda consults Dr. Paula, a renowned gynecologist, but the doctor cannot resolve their issue. Linda then decides to seek help from Emanuel, sparking a series of conflicts with her husband. However, things are far from ideal in Emanuel’s neighborhood. He possesses paranormal abilities that sometimes manifest in ways beyond his control. An enigmatic and unpredictable man, Emanuel fears his own powers.

In the imaginary king of Avilan, the bastard prince Jean Pierre leads a popular group against councilors who will invade Rainha Valentine's palace and take away the power.

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The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.

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The plot revolves around a love triangle between Rosemere, Rafaela, and Herbet Alvaray. They are unaware of the same man's presence in their lives and, due to fate, become friends.