Laurent Bocahut

In the favelas of Rio de Janeiro of the 1930s, João Francisco dos Santos is several things — son of slaves, ex-convict, thug, homosexual and adopted father for a number of pariahs. João expresses himself on the stage of a cabaret as Madame Satã.

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Made up of meetings with some of the actors of the gay community of Paris, this documentary evokes the development of the community phenomenon and its economic importance in districts handed over to traders and companies competing for the market. By comparing different points of view, this film produced in June 1997 during Europride offers a reflection on the identity of a community caught up in its own contradictions, divided between the desire to assert its difference and the desire to blend in with the company.

Set to the soundtrack of Papa Wemba's extraordinary music, this outrageous, funny and eye-opening film depicts the underground world of a flamboyant African cult. Papa Wemba is a well-known Congolese singer. He is also a big cheese in Le Sape, the Société des Ambianceurs et Persons Élégants, which translated into English means a society of people who spend huge amounts of money on designer clothes with the motive of making themselves as conspicuously elegant as possible. The film is a splendid evocation of Papa Wemba's music, but it is also an unusual insight into what it means to be an immigrant in contemporary Europe. The sapeur have borrowed from our own culture, creating something rich and strange and wholly Congolese. Don't miss the scene where they try on fur coats.

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This documentary shows a few days in the life of various members of Abdijan, Ivory Coast's gay and transgender community. We get to meet a variety of woubis, yossis, etc. The hero/heroine of the film is a statuesque young man named Barbara who is organising the annual year-end party of the Ivory Coast Tranvestite Association, to be held December 27, 1997.