Acting
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Antonio De Papis is a lawyer and his specialization is separation by mutual consent. He is contrary to marriage because he sees so many of them going wrong. So when his nephew calls on him asking for his approval to his marriage, Antonio suggests to him to spend a day in his office to see what marriage really is.
Raped during the war by a stranger, Anna is forced by their parents to pretend that that her daughter Lisa is her sister. When she is about to marry the new doctor in the country, her jealous brother resorts to threats of blackmail in an attempt to keep them apart.
An actor fails to find success in the film world but falls in love with a theatre manager's daughter.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Cousins James and Robert are in love with Susanna. When Robert and Susanna announce their engagement, James vows to ruin their happiness.
A man is hospitalized in a neurological clinic, suffering from amnesia. After seeing his photo in the newspaper, Mrs. Ballerini realizes that he is her husband and brings him home; then Mrs. Polacich recognizes him as her husband.
A lecherous governor of Naples in 1680 lusts after the wives of several peasants, particularly after the miller's wife Carmela. The miller himself plans to avenge his honor by seducing the wife of the governor.
A scruffy garbage boy becomes the pupil of famed gunfighter Talby, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.
A kidnapped mobster persuades his captors to help him rob platinum ingots from a train.
Wrongly accused of his wife's death, a marine officer is forced to resign and sees his life fall apart.
The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.
The young lawyer Vincenzo, Lucetta's new husband, daughter of a building speculator, discovers, on the night of the wedding, that he can not fulfill his duty as husband.
Based on the Nikolai Gogol story but set in 1950s Italy, "The Overcoat" is the story of a poor city hall clerk whose only desire is to buy a new overcoat.
Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.
Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.
Stefano and Maria have a marriage by proxy while he is working abroad in Canada. When she is mistakenly accused of abandoning her own child and sent to jail, Stefano finds out and decides to annul their marriage.
The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to their baby boy. Giulio's mother is against them: first she sends her son abroad and then has the baby kidnapped, making Luisa think the boy died in a fire.
In this sequel to Nobody's Children, Guido still longs for Luisa, who has become a nun. Then he meets Lina, a chorus dancer who is a dead ringer for his former lover.
The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.
