Miriam Kantorková

A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

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Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

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Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek

A teenage witch, frozen in time as a punishment for 300 years, finds herself in a modern world.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

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The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

In the 1600s, an overzealous clergy hauls innocent women in front of tribunals, forces them to confess to imaginary witchery, and engages in brutal torture and persecution of their subjects.

Set in 1776, this historical film by Petr Hvizd concerns an army deserter who takes refuge within the walls of the Convent of St. Claire. The investigation to find him soon becomes a question of morality concerning the value of human life in the context of the diversity and hierarchy of social laws.