
Ousmane Sembène
Directing
Biography
Ousmane Sembène (January 1, 1923 — June 9, 2007), often credited in the French style as Sembène Ousmane in articles and reference works, was a Senegalese film director, producer and writer. The Los Angeles Times considered him one of the greatest authors of Africa and he has often been called the "Father of African film."
Known For

Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.
Black Girl

A rich businessman in Senegal is cursed with crippling erectile dysfunction upon the day of his marriage to his third wife; the only cure is brutal public humiliation.
Xala

When a woman shelters a group of girls from suffering female genital mutilation, she starts a conflict that tears her village apart.
Moolaadé

The Ceddo people try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap his daughter, Princess Dior Yacine, to protest their forcible conversion to Islam.
Ceddo

As World War II rages in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize their men to sit beneath a tree to pray.
Emitaï

Adapted from "Vehi-Ciosane ou Blanche-Genèse," this short drama portrays a Senegalese village thrown into crisis by the pregnancy of a young girl, revealing deeper patterns of moral and social breakdown.
Niaye

A Senegalese platoon of soldiers from the French Free Army are returned from combat in France and held for a temporary time in a military encampment with barbed wire fences and guard towers in the desert. Among their numbers are Sergeant Diatta, the charismatic leader of the troop who was educated in Paris and has a French wife and child, and Pays, a Senegalese soldier left in a state of shock from the war and concentration camps and who can only speak in guttural screams and grunts.
Camp de Thiaroye

A money order from a relative in Paris throws the life of a Senegalese family man out of order. He deals with corruption, greed, problematic family members, the locals and the changing from his traditional way of living to a more modern one.
Mandabi

A cart-taxi driver goes to the city to make a living, but out of sympathy with other poverty-stricken people, he works for free and goes hungry himself.
The Wagoner

Senegalese documentary about the country's most famous film-maker - Ousmane Sembène. The groundbreaking director explains his philosophy, politics and hopes for the future of African cinema.
Sembène: The Making of African Cinema

A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field.
Faat Kiné

A young unemployed man fends off accusations of laziness and makes a home for his pregnant girlfriend who has been rejected by her family.
Tauw

Burial of a Christian political activist in a Muslim cemetary forces a conflict imbued with religious fervor.
Guelwaar

Paulin Vieyra captures Ousmane Sembène, one of the greatest filmmakers of Africa, during the filming of Ceddo. L’Envers du Decor was completed after four years of production. As for Ceddo, it would be censored under the Senghor regime and until 1983 by the Senegalese authorities.
Behind the Scenes: The Making of Ceddo

Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Cheriaa used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole.
Tahar Chériaa: A l'Ombre du Baobab

Meet Ousmane Sembene, the African freedom fighter who used stories as his weapon.
Sembene!

The film uses a collection of post-World War II black & white photographs to portray the dockworkers of Marseilles, many of whom were of African descent. Set in and around a 1947 strike protesting weapons shipments to the French in Indochina, the images evoke the life and work of Senegalese filmmaker, Ousmane Sembène, a former dockworker, and one of the founding figures of the New African Cinema of the 1960s.