Chris Benker

Bobby G. lives life on the edge in this real, raw New York street drama. Bobby is a small-time coke dealer, always on the hustle but rarely successful. He lives in Hell's Kitchen with his Puerto Rican girlfriend Lucy, who makes ends meet as a prostitute. A typical day finds Bobby selling $20 bags to neighborhood locals and passing cars. A yuppie kid looking to score a kilo of coke approaches him to broker a deal and Bobby sees the opportunity of a lifetime to make some real money. His rough days may just be over. With the tidy profit he could even leave the business. Playing out of his league, Bobby arranges to get the kilo from Astro, a fearsome, high-level drug dealer. Though Lucy announces that she's decided to go back to Puerto Rico and pleads with him to make a fresh start too, Bobby is sticking to his deal and isn't going anywhere now, convinced he'll be 'livin' large in a matter a' days...

A seminarian embarks on a bizarre and horrifying quest that will end in a blood-bath of insanity, cannibalism, and witchcraft.

A writer having trouble finishing a crime story meets a mysterious woman who literally brings his characters to life. Unfortunately, the gangster in his story just wants to be left alone, even if it means killing the writer. Meanwhile the writer and the mysterious woman embark on their own twisting romantic narrative.

"It's really a beautiful picture." The story of a drug-fueled weekend in a Brooklyn apartment propelled by grief and loyalty. Lee, reeling from the death of his mother, visits the home of his old friend, Monty. Given his present state of mind (and body), it’s not a pleasant visit, at least from the perspective of Monty’s well put together wife, Virginia. This bold experiment from director Elliot Conrad roars beyond the limits of plot creating an indelible portrait of a friendship and a marriage ramming into one other.

An experimental thriller based on The Brothers Karamozov

In this dark, surreal comedy, Cindy Rossberg has apparently killed her fiance on her wedding day. Her psychiatrist encourages her to move forward with her life. However, as she attempts to do so she finds reality too difficult to contend with as she is bound to the events of the past. As she tries to sort things out for herself, Cindy spirals into a wacky world of bizarre situations that become increasingly influenced by a murder mystery she is writing. In the end, Cindy discovers that she must act as her own emancipator in order to free herself from the role she thinks she is expected to play.

Robert and Maria's marriage has derailed. He is having an affair with a mysterious exotic dancer, while Maria has become fascinated by internet sex. Can traditional morals apply in modern life, or are we just monkeys and robots?