Valentino Orsini

Pascale, married to an architect, misses her flight to London and is forced to stay in Berlin, at the Kleinhoff Hotel where she stayed as a student. Karl, a would-be revolutionary lives in the adjoining room and Pascale spies him and his ex-girl-friend through a hole. Then she follows him to a questionable place where she is arrested by the police during a revolutionists raid. When she returns to the Kleinhoff Hotel, Pascale finds Karl crying, and enters his room to console him and they have a love affair.

The real story of the partisan Silvio Corbari (Giuliano Gemma). Silvio forms a band of partisans in Northern Italy, completely independent from the Italian organized resistance (CLN). Ines (Tina Aumont), leaves her husband to join the band and becomes Silvio's lover. Silvio seems to suceed in creating a free-zone, his personal republic, independent from Nazi-occupied Italy, in a little village called Tregnano.

A film by Lionello Massobrio.

Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.

No description available.

In Milan, in the winter of 1944, the ruthless Cane Nero leads the fascists against the partisans. Enne 2, one of the leading figures of the C.N.L., meets Berta, whom he loved three years ago, but Berta refuses to leave her husband for him. Enne 2 is pursued by the fascists of Cane Nero and, instead of running away to Turin, waits for Berta to rejoin him

Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.

A respectable lawyer finds out his son is a heroin addict. Heartbroken, he'll do anything to help his only child, even if it means sharing his hell.

This documentary offers us a view of skating rink where anyone can enter at a minimal price. On another rink, however, are sportsmen in training some for speed skating and others for figure skating. Among the spectators are two children who stare at their champions with wide-open eyes.

No description available.