Directing
Lok Chak-shun, a man who lives three different destinies shaped by his choices. Born prematurely in 1960s Hong Kong, he grows up passionate about comics. A school prank leads him to a fateful encounter with a mysterious girl, but a broken kite triggers a ripple in time, splitting his life into three divergent paths.
Realising that he will be defeated in no time during a police showdown, a thug shoots himself to force the cops to cease fire and take him to the hospital. In the hospital, he claims human rights to refuse immediate treatment in order to buy time for his underlings to rescue him. The detective in charge sees through his scheme but decides to play along so as to capture his whole gang once and for all.
Acting is not always a life of glamour and excitement, and is often filled with sweat and tears. Devoted actor Gus is crushed when he fails to cry on cue. As self-doubt sinks in, he hears that his father has suffered a sunstroke. He decides to help at his father’s company and cast his dream aside. When his friend Mo offers him a role in a new film, he declines but not before Mo shoves him the script. When he starts to read the script at night, he is amazed to find that the plot is identical to the events around him. In the realm of a dream-like script or a script-like dream, Gus ponders his life as an actor and finds his own direction.
Bible of Kong Girls takes a look at three women exploring their lives and dilemmas within the space of a year. Splitting the film segments into the four seasons of the year, we follow Asther, Sai B and C-fu. The three modern, spirited and quirky women are introduced to an article, ‘The 37 Self-help Guidelines from Lee Ka-shing’s Private Secretary’ that serves as a sort of bible for the woman of today. With each passing season the women encounter another challenge life throws at them whilst following the rules of the article, but are these guidelines tearing the friends apart instead of helping them?
At some point in life an age-old question will inevitably crop up: Do we swim against the tide or go with the flow? The band, Against the Tide, was doomed before it even started. A year later, the songwriter is selling his soul to catchy pop tunes and commercial music, hitching his wagon to else’s grand schemes while being hitched by a young music devotee; the bassist is venturing north across the border; the drummer is working as an insurance agent and all set for fatherhood. Before the factory building is demolished for a lucrative redevelopment scheme, the band members, bar one, return to their studio to clear out the place, contemplating making a final appearance for a farewell gig. The reunion takes place, albeit obliquely, each member putting their best foot forward to steer their own course.
'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.
Raymond is a boyish thirty-something content with his wife Nancy and son Kai Zhen who studies K2. Nancy decides to spur up Kai Zhen's "talents" with an onslaught of extracurricular activities. They are tickets to a handful of certificates and awards so that Kai Zhen will not be overshadowed by other kids and may receive placement in more elite schools. Disapproving of the move, Raymond hopes his son could enjoy his childhood. Nancy insists and asks Raymond to find Kai Zhen a referee for school enrolment. In the meanwhile, Raymond was sacked and had to leave his job of twenty years. A painful journey begins with his job hunt and eventual sale of his own favourite toys and pleasures. For the sake of his son, he swallows his pride and begs his old boss to be his son’s referee.
We enjoy the adrenaline rush given by horror films. But what if we are personally involved in the horror? Director Chun has created a ghost story based on a real case with a dancer murdered, incorporating all marketable ideas like women, supernatural forces and violence. Successfully he persuades the boss to invest in his horror, but there is one “little” requirement – in order to pass the Mainland censorship, no ghost can be presented in the ghost story. So keen to make it work, Chun compromises. While he starts to change the script, an unexpected visitor shows up and leads him to a special journey. A film depicting the bittersweet life of film workers.
