Maria Monti

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

A writer returns home to his estate after service in World War I. He has developed a very bad case of depression due to a war wound concerning his genitalia. He contemplates suicide, but recovers after becoming interested in his caretaker's 12 year-old war orphan niece, who now lives in the manor.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Set between 1629 and 1631. Renzo Tramaglino and Lucia Mondella are Lombard peasants forced to separate and endure a thousand vicissitudes because of the bullying of the squire Don Rodrigo. However, during their journey they will find various people willing to help them, from Friar Cristoforo to the Innominato, from Federigo Borromeo to Donna Prassede.

Nebbie e delitti is an Italian television series.

In this adaptation of Tolstoy's story the Wurdulak, a mentally ill patient known as Nicola flashes back to horrifying experiences that he encountered while driving through the country. Upon damaging his car, Nicola sets out for help, only to meet a mysterious family that lives in total fear of someone or something. This evil force slowly penetrates the household and thrusts each of its members into a frenzy of absolute terror.

Turin 1953. Lidia is a war widow with a ten year old daughter, Anna. She works in a factory, where does political work for the Communist Party.

A mother so insanely overprotective of her grown son decides to make a deal with death by offering alternate victims plucked from among her fellow tenants in a 1938 Italian apartment building.

A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.

A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.

Our hero is the 18-year-old Alessio Mainardi, who receives a token red carnation from a girl named Giovanna and becomes a symbol of love, desire, and even has political overtones as a symbol of the struggle for political freedom in opposition to Fascism.

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

After several Catholic school pupils are murdered, a teacher who is having an affair with one of his students becomes a suspect. When other gruesome murders start occurring shortly thereafter, the teacher suspects that he may be the cause of them.

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In La prova generale, Carlo (Carlo Cecchi) interviews with a tape machine and a microphone his young lover while the two wander in the beautiful splendour of a wood on the edge of the city.

A serial killer targets a rich family that owns a banking group and kills them through an astrological ritual scheme. He leaves behind mysterious messages from Nostradamus, which he signs with the symbol of the zodiac. It will be the illegitimate daughter of the head of the family, Ester -- with the help of a skeptical commissioner -- to unravel the mystery, untangling herself in a dense web of intrigues that hide behind the powerful and respectable family.

Young Betty Pellegrino (Orla Conforti) is a strong-minded 13-year-old, left on her own to deal with life in the poorer districts of an industrialized Turin. Street life alternates with bouts in the reformatory, and Betty's prospects for a decent life seem fairly dim in spite of her consistently ready wit and ability to take whatever life hands out. Then she meets a social worker willing to add Betty to her already heavy case load. Maybe there is some hope after all, as two against the world double Betty's odds.

In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."

The story of a woman whose past comes back to haunt her after a former lover re-enters her life.

Carla, a lonely forty-year-old child psychiatrist, devotes all her time to her job. One day a man appears and gradually gets into her life. He tells her he is the lover of Nina, her estranged sister.