Directing
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Selva is an eccentric relationship counselor who has made a name for herself with her unorthodox sessions. But Selva’s career hits a roadblock when she takes on Elías and Malena, a young couple who are seeking guidance on how to separate.
Unable to have kids of their own, Cecilia and Diego get a call from the adoption agency they registered to, some time ago. The sudden arrival of Joel, a 9 year old with a very hard backstory, will change the course of their lives.
Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.
Los Marziano reconstruye la oportunidad de un reencuentro entre dos hermanos tras un largo período de distanciamiento. Se trata de un relato que trabaja con profunda inteligencia -y con rasgos de comedia- el universo de las relaciones familiares.
Documentary that gathers the testimonies of more than twenty contemporary Argentine film directors. Through interviews, filmmakers from different generations and tendencies reflect on the craft of directing, creative difficulties, and the challenges of the local industry. The diversity of voices ranges from established figures to representatives of the new Argentine cinema, offering a panorama of the different ways of conceiving and practicing filmmaking.
Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.
Lucia is a single parent to a child with Asperger's. She has a minimum wage job and a very difficult relationship with her mother, but she thinks she can deal with everything on her own. One day she receives an urgent call from the school: her son hit his head and she needs to pick him up.
When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.
The portrait of a man and his attempts to make things up with life after losing his job.
While her filmmaker husband works in Chile, harried young mother Liz struggles to take care of her infant son. Feeling out of place amongst the tight-knit group of other parents at the park, doubted by her husband, and judged by her newly hired nanny, Liz is drawn to factory worker Rosa, a plain-talking single mother she meets at the swings one day. Despite Liz’s liberation upon finding a bold new confidante, the friends’ increasingly apparent class differences, along with swirling rumors about Rosa’s motives and muddy family situation, feed Liz’s suspicions that her new pal might be a sinister influence on her already fragile life.
The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.
Natalio is a passionate teacher. When Juani, a friend, comes to live in town, the inhabitants confirm rumors about Natalio's homosexuality. The parents of his students do not approve the teacher's behavior with another man and harass the principal so that Natalio does not continue to lead the classroom.
Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.
Sometimes the links can be built from the passions. Sometimes those links can become passions. For Hugo, a solitary taxi driver from Buenos Aires, the total, absolute and exclusive passion is San Lorenzo, which is not only an active part of his past, but a healthy obsession that bathes that gives color to his life. Until a single mother and her son cross their path. Now there will be someone to share the passion with. Maybe something more.
Damián, an 11-year-old boy who is separated from his violent family, is taken to live in a children's home by state intervention. Accompanied by Leandro, a social worker with a personal story similar to his, Damián will have to accept that his previous life is behind him and will not return, but it is still possible to build a new beginning where there is room to not feel so alone.
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Ruth has been with Nora for fourteen years. Everybody knows about their relationship except for her mother Estela, who has never suspected it. Ruth, who is almost forty, feels the need to confess her homosexuality to her mother, who at first is shocked and collapses on the floor. She then feels the desire to understand her daughter, who has hidden an important part of her life from her for many years. So elderly Estela begins to discover the L-World: she reads books and magazines, she tries to meet her daughter's ex girlfriends and she goes to lesbian nightclubs and meeting-places, creating misunderstandings and comic situations. What does Ruth think about this? At first, she is annoyed by her mother's intrusion into her life, but she will soon understand Estela's reasons and she will rely on her to get over her crisis with Nora. This sharp, amusing comedy deals with the difficult parent-child relationship, which is portrayed through irony and without hypocrisy.
