Mary Wong Yuen-lam

Hau is a hard-working fast food restaurant staff. Despite his hectic schedule, he plays basketball on a public basketball court early in the morning. He has not taken part in any matches ever since he was bullied back in high school. One day, a group of young men forcefully take over the public basketball court. Angered by their behaviour, Bo randomly picks Hau, Leung and Tak to form a team to play against the young men. At first, the group of strangers have absolutely no chemistry at all. However, with their unique styles and Bo’s coaching, they manage to defeat their opponents. While they get a sense of achievement on the basketball court, the trio each have their own problems and feel lost when they are off court. Basketball is their only way to escape reality.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Gun is a loan shark. Having worked hard for years, i.e. intimidating and threatening his debtors, he musters just enough money to purchase a house for the family. The plan is at risk, however, when one of his debtors dies and Gun discovers that he is not the only creditor. Out of desperation, he asks for his daughter’s help, who is unwilling to be involved in her father’s shady business. The simmering tension causes a rift in the family.

Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.

Four farmer-cum-robbers live together in a dilapidated house with a withered field. They discover a human finger inside a newly-harvested tomato one day. The gang leader decides to freeze it in the hope of selling it for a good price. Someone tells a story about a finger in a pub, so implausible that the listeners can hardly believe it. There are no fingers inside the other tomatoes and the gang remains poor. Tensions mount as the gang leader suspects a young member of hiding the secret of growing the finger-yielding tomato for his own benefit, leading to a big fight. The young man renounces his life of crime, but pays a hefty price…...

It was raining non-stop when Hong Kong was rocked by the tumultuous events of October 2014 (the "umbrella movement"). In a fixed sequence shot, the film captured students meeting each other in the hall, in the rooms, discussing, arguing about or remaining indifferent to the event, while it continued to rain outside.

Fei roams the city at night, attempting to capture it with her camera. One night she meets a mysterious cow in the busy city and photographs it. Soon she meets Ming, who is trying to record the cow's noise. Together they attempt to find the elusive cow.

At the end of summer, a group of friends bid farewell to their childhood with a final football match and embark on a daring escapade, each about to embark on a different path in life.