Acting
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In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.
A motorcycle daredevil is murdered by a gang that wants to take over the circus to become the cover for their drug operation, but his replacement (Akira Kobayashi) has other ideas.
In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.
Tommy, a tornado boy who arrived at Arima Onsen in search of his father, whom he separated from when he was young, meets a girl named Eiko after driving away a group of thugs causing trouble at a variety show venue. Additionally, a drifter named Nanajo, impressed by Tommy's skills, approaches him with a story about a smuggling ship sinking off the coast of Kobe...
Intrepid tax investigator Ryoko Itakura sets her sights on the mysterious and philandering Hideki Gondo, a suspected millionaire and proprietor of a thriving chain of seedy hourly hotels, who has for years succeeded at hiding the true extent of his assets from the Japanese authorities. Itakura and Gondo soon find themselves engaged in a complicated, satirical battle of wits.
This movie depicts the confrontation between a man entangled in a despicable trap and the shadow of murderous intent, and the efforts of a journalist chasing after the truth. Due to the passage of time since the film's release, some scenes may be marred by visual and audio distortions. We apologize for any inconvenience and appreciate your understanding.
1962 Japanese movie
A recently released gangster has to cope with the recent shifts of power between gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.
Joe, a master diver, explodes his fighting spirit and friendship across raging seas and scorching deserts in this gorgeous and entertaining epic.
Hayato's home city is under attack from a gigantic robot. His parents are lying dead in the rubble and the only remaining friend is his dog. His only thought now is revenge against the owner of the Phantom Ship (from where the robot said he was sent). He ends up in the house of Kuroshio, the leader of the fight against the Phantom Ship and the most important person in the city. By complete accident, Hayato finds his way to an underground passageway where he realises that the true nature of events does not mesh with what Kuroshio has told him. His life is now in great danger, and only he can stop the plans of the evildoers.
Ryoji, a wanderer, arrives in a remote mountain town, carrying a shotgun and claiming to be a hunter. He quickly becomes embroiled in a web of trouble surrounding the town's mill.
Koichi Haruyama, who works at the Morita Automobile Factory, was driving a convertible through Ginza in search of accident sites. He buys cars that have been damaged in accidents at a low price and scraps them for his own company. He uses the money he earns in this way to pay back Kanda Trading. Morita, the president of the company, is suspicious about the identity of Kanda Trading, from whom he borrowed money. However, what is borrowed must be repaid, and Koichi drives to Toyokawa to beg his grandfather for money as his scrap business is not going well. In addition to begging for money, Koichi has another secret purpose...
An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.
A successful Japanese movie director in his sixties becomes increasingly ill while working on his latest film. Though his family, friends, and doctor try to keep the secret of his terminal cancer from him, Buhei gradually comes to realize the truth of his condition, leading him on a journey of despair, anger, and – ultimately – acceptance.
