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Patricia Rozema

Patricia Rozema

Directing

Biography

Patricia Rozema (born 20 August 1958) is a Canadian film director, writer and producer. She was part of a loosely-affiliated group of filmmakers to emerge in 1980s from Toronto known as the Toronto New Wave. Description above from the Wikipedia article Patricia Rozema, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

In Treatment
7.6

The intimate confines of psychotherapy sessions are seen from the perspective of a therapist and individual patients.

In Treatment

2008
Sex/Life
7.1

A woman's daring sexual past collides with her married-with-kids present when the bad-boy ex she can't stop fantasizing about crashes back into her life.

Sex/Life

2021
Anne with an E
8.7

A coming-of-age story about an outsider who, against all odds and numerous challenges, fights for love and acceptance and for her place in the world. The series centers on a young orphaned girl in the late 1890s, who, after an abusive childhood spent in orphanages and the homes of strangers, is mistakenly sent to live with an elderly woman and her aging brother. Over time, 13-year-old Anne will transform their lives and eventually the small town in which they live with her unique spirit, fierce intellect and brilliant imagination.

Anne with an E

2017
The Hunger
6.1

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

The Hunger

1997
The Fly
7.4

When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.

The Fly

1986
Tell Me You Love Me
6.5

This riveting and provocative drama series explores issues of intimacy within the lives of three couples and the therapist they share.

Tell Me You Love Me

2007
Mansfield Park
6.7

Fanny Price is sent to live with her wealthy relatives, the Bertrams, where she is treated poorly by most except her cousin Edmund. Her life is complicated by the arrival of the worldly Mary and Henry Crawford.

Mansfield Park

1999
Into the Forest
5.8

In the not too distant future, two young women who live in a remote ancient forest discover the world around them is on the brink of an apocalypse. Informed only by rumor, they fight intruders, disease, loneliness & starvation.

Into the Forest

2016
Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche
6.0

This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.

Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche

2004
When Night Is Falling
6.3

Camille is a professor at a Protestant college and is in a long-term relationship with Martin, a respected minister and fellow professor. When Camille meets Petra, a bold and flamboyant performer in a circus troupe, she is inexplicably drawn. Pursuing Petra, Camille throws her whole conservative life into disarray.

When Night Is Falling

1995
Kit Kittredge: An American Girl
6.5

The Great Depression hits home for nine year old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee Abigail Breslin stars as Kit, leading a splendid cast in the first ever "American Girl" theatrical movie. In order to keep their home, Kit and her mother must take in boarders - paying house - guests who turn out to be full of fascinating stories. When mother's lockbox containing all their money is stolen, Kit's new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real story get her and friends into big trouble. The police say the robbery was an inside job, committed by someone they know. So if it wasn't Will, then who did it.

Kit Kittredge: An American Girl

2008
Grey Gardens
6.8

Based on the life stories of the eccentric aunt and first cousin of Jackie Onassis raised as Park Avenue débutantes but who withdrew from New York society, taking shelter at their Long Island summer home, "Grey Gardens." As their wealth and contact with the outside world dwindled, so did their grasp on reality.

Grey Gardens

2009
I've Heard the Mermaids Singing
5.8

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

I've Heard the Mermaids Singing

1987
Montreal Stories
5.0

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

Montreal Stories

1991
Zero Patience
5.7

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

Zero Patience

1993
White Room
5.7

Norm, an aimless writer, witnesses the murder of rock video star Madelaine X and feels guilty, as he did nothing to prevent it. At Madelaine’s funeral, he meets a mysterious woman in black with unexplained connections to the deceased singer.

White Room

1990
Mouthpiece
5.3

Based on a stage play of the same name by Amy Nostbakken and Norah Sadava, the story follows Cassandra, who is portrayed by the two women, expressing the opposing voices that exist inside the modern woman's head, during a 48-hour period as she tries to organize the affairs for her mother's funeral.

Mouthpiece

2019
Preludes
N/A

Commissioned by the Toronto International Film Festival to mark the event's 25th anniversary in September 2000, the "Preludes" program consisted of ten short films by Canadian directors which were inspired in some way by the festival. Each film screened as a prelude to a feature film in the 2000 Toronto International Film Festival program. The full "Preludes" anthology was screened on the web in November 2000, and was given theatrical retrospectives at the TIFF Lightbox in the subsequent years.

Preludes

2000
Check the Gate: Putting Beckett on Film
10.0

Follows the "Beckett on Film" project, which produced film adaptations of writer Samuel Beckett's nineteen stage plays. The documentary features excerpts from the "Beckett on Film" versions of "Not I", "Krapp's Last Tape", "Endgame", "What Where", and "Waiting for Godot".

Check the Gate: Putting Beckett on Film

2003
Filming Desire: A Journey Through Women’s Cinema
10.0

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Filming Desire: A Journey Through Women’s Cinema

2000