Acting
A man becomes entangled in a world of corruption and violence where powerful businessmen and politicians operate from the shadows. After being betrayed and pushed to the brink, he finds himself caught in a ruthless struggle involving organized crime and backroom power deals. As conspiracies unfold and danger closes in, he realizes that survival will require more than courage — it will demand retaliation. Facing armed confrontations and life-or-death situations, he takes matters into his own hands and sets out to settle the score.
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Two police detectives Numata and Tosaka infiltrate a group of underground black market human organ dealers. Things go haywire during a raid on the group's surgical headquarters. Numata barely escapes, while a wounded Tosaka gets left behind. Through a series of surreal and gory events, the identities of the organ dealers are revealed as Numata plans his revenge.
Shinko (Karin Aiba) is a high school student from Hamamatsu. Due to university admission pressures, she struggles with her mother. She hasn't really made conversation with her mom in a year. Shinko's friend Misato (Mayuu Kusakari) then recommends to her to join the school's calligraphy club. Shinko is impressed by Teacher Yatsushiro's (Kazuki Namioka) words. Teacher Yatsushiro is the one who takes care of the calligraphy club. Shinko decides to join the calligraphy club.
The psychosexual drama Yoji, What's Wrong With You? examines the identity of women as mothers in Japanese culture, through an Oedipal narrative of a skewed "family romance." When Yoji announces to his mother that he wants her to meet a new girlfriend, the mother's jealousy destroys the relationship. Idemitsu's signature device of using a television monitor within the domestic space works as a powerful metaphor for the ubiquity of the mother in Yoji's psychological life. Idemitsu's melodramas always articulate a double-edged irony: With no identity outside of her maternal role, Yoji's mother fastens onto her son, ultimately destroying him. Yoji himself is seen as emotionally stunted, unable to leave his mother or experience love for any other woman.
A man known as the "Murderer" wanders through the woods. The sound of water flowing deep underground fills his head...
