René Blancard

When a string of jewel robberies hits the French Riviera, suspicion falls on retired thief John “The Cat” Robie. To clear his name, he sets out to trap the copycat himself—entangling a wealthy widow and her beguiling daughter in a seductive game of pursuit, deception, and desire.

Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

A famous convict Jacques Collin, alias Trompe la mort, or abbot Carlos Herrera, also called Vautrin, escapes from prison. Chance makes him meet Lucien de Rubempré, an impetuous and eternal lover who, when he is dismissed, collapses. Moved by this fragility, he takes him under his wing, and will do everything possible to ensure that his creature reaches happiness, even if it means imagining the worst shenanigans and other scams, with the help of a band of clever villains.

Catherine Langeac and André Foucaud are a medical couple, she a general practitioner and he a gynecologist. Their attentiveness and understanding enable them to solve many of their patients' problems.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.

Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.

Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.

Marguerite de Valois, daughter of Catherine de Médicis, celebrates her wedding with Henri de Navarre. Officially, it's a rapprochement between the League and the Huguenots. In fact, it was an opportunity to bring all the Huguenots to Paris and kill them all at once. King Charles IX fails in his attempt on Coligny's life. Queen Margot tries to save her husband from the St. Bartholomew's Day massacre by preventing the annulment of his marriage, forcing Henri to share her bed. Two knights from opposing camps are wounded and, saved în extremis, are hidden together by the queen and her cousin. Margot falls in love with one of them, but has to run to warn her husband of a new attack...

A group of bandits conspire to kidnap a scientist who can help them manufacture diamonds.Unbeknownst to them , the FBI is already on their case.

While celebrating his birthday, police inspector Basquier recalls two of his most celebrated cases. The first involves duplicitous moneylender Olga. The second concerns the brutal broad daylight murder of innocent young Yvonne.

In France, in 1930, a supervisor of a boarding school for young offenders seeks to awaken the music by forming a choir, despite the skepticism of his boarding school director.

Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.

Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.

A series of vignettes, in which Noel-Noel appears as the moderator, lecturer, commentator and leading actor, that examine the bores and pests of everyday life much like Pete Smith and Robert Benchley had done for years in American short subjects. Among those are the Practical Joker who will do anything for a laugh; the Party Entertainer who never stops singing; the Talkative Neigbor who forgets the time; the noisy neighbors who dance the tango all night; and women drivers, people who telephone at meal time, the friend you never saw before and amatuer medical experts. Much use of trick photography, montages, puppets and animation along with some adult Gallic wit and gentle satire.

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

Pierre risks being taken advantage of by an agency that sets up financial scams, he escapes thanks to Marcelle, the secretary of the director of the agency, who is a childhood friend. She does her best to keep the young man away from the scams of his boss. However, the director, in love with Marcelle and jealous of Pierre, succeeds in trapping and ruining him. Marcelle will then denounce him to the police, but before being arrested he will kill her.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

In 1943, a group of high school students decide to take action against the Nazi occupying forces. Showing courage and imagination, they manage to blow up the Kommandantur and to release hostages. But after the killing of a German soldier the Nazi police apparatus strikes back. The young resisters are arrested and two of them are condemned to death.