Christian Davi

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Vitus tells the story of a highly-gifted boy (played by real-life piano prodigy Teo Gheorghiu) whose parents have demanding and ambitious plans for him.

An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.

The Insensitive Princess is a 1983 French animated television series written and directed by Michel Ocelot. The animation is a combination of cel and cutout animation while the elaborate architectural style of the production design has been said to be reminiscent, though visual association, of Charles Perrault and Jean de La Fontaine's fairy tales; like Ocelot's Les Trois Inventeurs before it and several episodes of the later Ciné si it takes place in a literary fairy tale-like fantasy setting, specifically a palatial theater, which mixes the ornate styles of decoration and dress of the upper-classes of both the time of the Ancien Régime and the belle époque and includes such fanciful technology as a baroque-styled submarine, elements of outright fantasy such as dragons and such anachronisms as a reference to motorcycles. It won first prize in its category at the 3rd Bourg-en-Bresse Animation Festival for Youth and the audience prize at the 6th Odense Film Festival.

André, 55, lives with his mother Louise, 80, and leads an unspectacular life. He works as a taxi driver while the elderly diva dreams of bygone days as an actress in Hollywood. One day the charismatic Bill, 50, an American, turns up on their doorstep - a stranger who will soon turn their quiet life upside down.

Three men embark on a journey in search of meaning and happiness in the autumn of their lives: Bob swaps his safe home for a camper van and tries to find himself in the barren Californian desert; Steve, drag queen and stand-up comedian, is fed up of England and makes amends with his past in Benidorm; Yamada rediscovers his smile by reading stories to children in Tokyo.

Fifteen-year-old Matteo is attractive, albeit somewhat effeminate. The whole world is against him. He has no friends and his parents seem to live in a different universe. The pressure increases as his awkward attempts to win his father’s respect fail. One night two men carry him off: his parents send him to a remote alp, where he is forced to spend the summer working hard on a family farm. When Matteo arrives on the alp, a surprise awaits him.

Horror comedy film following vampire count Geza von Kösznöm who's visiting groundbreaking neurologist Sigund Freud because he's bored of his life and frustrated of the "eternally long" relationship with his wife Elsa.

Documentary in 7 segments whose theme is "Multicultural Switzerland". The segments are: "Raclette Curry", "Was Wie Wann Wohin Gehört", "Home Alone?", "Hopp Schwyz", "Mixed Up", "Making of a Jew" and "Train Fantôme".

Annegret, is a mentally handicapped woman in her mid-thirties who falls in love with Res, an oldish slightly peculiar rocker. Annegret's family however is not happy with the relationship and they want to stop her seeing her lover. Annegreth fights back.

Groundbreaking psychiatrist and author Elisabeth Kübler-Ross dedicated her career to working with the incurably ill. In this intimate documentary filmed near the end of her life, Kübler-Ross relates her life story, from childhood to her final years. Friends, family members and colleagues weigh in with insightful observations and share their memories of this remarkable woman whose innovative concepts helped spawn the field of thanatology.

Documentary on industrial lubrification.

Is it possible to contact our lost loved-ones in the hereafter? With this question at the back of her mind and her mute sorrow for her recently deceased father, the filmmaker embarks on a journey to open up the doors to the unknown world beyond. Guided by the humorous Scottish medium Bill Coller and in ongoing discussions with her mother she produces impressive images and sounds, and so manages to give an enriching insight: death is livelier and more talkative than it might seem.

The immortal songs of Franz Schubert. What do they imply today? And where do they belong? According to well-known pianist and conductor Marino Formenti: not in the world's great concert halls. At least not only. With five musical laymen he tried to find another kind of truth in this music. Swiss documentary filmmaker Bruno Moll joined him in this unusual experiment.