Félix Caraballo
Directing
Biography
Félix Caraballo is a filmmaker and visual artist working in Tiohtià:ke/Montréal and N’dakina/Marieville. His work explores the relationships between landscapes, their components, and the unique properties of analog processes. He holds a master’s degree in film, with a research-creation profile, and has focused his research on the connections between analog filmmaking practices and the representation of landscapes.
Known For
Alice sneaks into her neighbor's apartment that almost caught fire. Wracked by anxiety, then loneliness, she returns more than once to his place and crosses certain boundaries.
The neighbor
- A group of seasoned travelers cross the ocean with the goal of completing the impossible ascent of the mysterious Mountain Without a Summit. Endless Ascent is an expanded cinema piece for six 16mm projectors, combining the electronic music of Merlin Campbell with 16mm projections by Félix Caraballo. The project is based on the reuse of the following institutional archive films: Way Up and Back (1927) by Associated Screen News, The Moving Dunes (1930) by Hans Springer, The Marsh Owl (1953), produced by Nederlandse Onderwijs-Film, and The Erosion of a Coast (1940), produced by G.B. Instructional Films–Edita Films.
Endless Ascent
No description available.
Trou du Diable
Strange auditory anomalies lead a sound artist through landscapes of the Bas-Saint-Laurent that blur the line between reality and imagination.
A Suspended Tide
Anomalies dans le paysage is a film in four tableaux – four audivisual landscapes that unfold in all their strangeness. Spices, leaves and local seaweed reveal and imbue with their hues this film shot and developed on the very banks of the Magtogoek/St. Lawrence river.