Jino Sira K.

Thailand, 2030 — In an era where the government has legalized euthanasia through the organization ITB (In The Blink), Doc, a middle-aged “Negotiator,” is tasked with screening and evaluating those who request to end their lives for valid and justified reasons. But when a radical youth movement demands the legal age for euthanasia to be lowered — sparking debates over whether life’s achievements should come early, or even matter at all — tensions erupt and spiral into a crisis Doc and the organization could never have foreseen.

A moving image captured by the director in 2025 depicts a late afternoon at a Catholic school in Thailand, as children leave for the day, mingling with teachers and parents waiting to pick them up. At a stone bench, two brothers, JAVA and JINO, are seen chatting, the elder being a friend of the director. The footage, originally shot on the director’s mobile phone, was later transformed to evoke the style of a silent film: the visuals were toned to resemble aged black-and-white film and accompanied by music from City Lights (1931) by Charlie Chaplin, enhancing the atmosphere reminiscent of the silent cinema’s final years in the early 1930s.