Masami Shimojō

Inspired by American TV movies like "Hitchcock Theater" and "The Twilight Zone," the show features multiple works with Tamori as the storyteller and actors as the main characters. While horror and supernatural themes are predominant, a variety of genres like comedy and drama are also produced. Most episodes, however, have a bad ending.

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A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...

In the backstreets of Ginza, the boss of a hairdressing salon is found dead, killed by strangulation. The detective on the case soon hears rumors about the murder.

Just before the end of the war, Japanese soldier Kitani is released from prison, having served his term for theft. Told in flashback, viewers learn about Kitani's past and reasons behind his prison sentence.

A family is slowly falling apart: the father is absent from the start, the mother a kept woman thanks to her children, the son is being cheated on by his wife, one daughter is forced to marry an older man against her will, while the other has retreated into smug moral superiority.

Koji Himuro is the wandering gambler. His brother and his girlfriend were both murdered because he was determined to expose a gambling cheat. As a result, he vows to never gamble again, but in the end, his rage against cheats spurs him to action once again, with deadly consequences.

One day, a lone horseman rides into town with a wounded man strapped behind him. Joe, the Ace, had captured one of the bandits who had held up the armored payroll car headed for the dam construction site, takes the wounded man to the police and claims the reward offered. He is told to wait until the driver of the armored car returns to identify the bandit and goes over to the Blue Star where he is introduced to Mishima, the owner of the cabaret, who is highly respected in the town. Joe then meets Saburo, while fishing, and his lovely sister, who seem to sense the real man beneath the rough appearance and take him into their home. Word reaches Joe that the bandit he'd captured had been shot and he hurries over to the hospital.

Kenichi and Satoru join up with three other electric music lovers to form their own band, "The Young and Fresh."

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

Across the Inagawa River that runs through the center of the village, the children of the two villages scrambled for a swimming pool, and each time a stone battle took place. Takemaru, the only son of the priesthood of Tada Shrine, was weak and was always forced to carry stones. However, neither swimming nor stone-throwing was a secret to his sick mother, Kouko... Seishi Matsumaru, Ryuichi Yoshida, and Ado Matsuyama were adapted from "Tenmangu" and "Ishigassen", directed by Mitsuo Wakasugi of "Waran Hayashi", and photographed by Hanjiro Nakazawa of "The Last Women".

A man is wrongfully accused of murder.

1962 Japanese movie

The Nami family lives in a quiet fishing village at the tip of the Shima Peninsula overlooking Ago Bay. The family of four consists of her grandmother, Tom, who is in her sixties, her mother, Kura, and older sister, Saki, all women. Toma, despite her advanced age, is still the best diver in the village, Nami has grown up to be an excellent diver too. However, her older sister Saki was born with a mental disorder and no one in the village wants to do business with her. Nami, on the other hand, is very popular among the boys of the village, she is healthy and beautiful. The fisherman Shosaku is crazy about Nami, and day and night he asks her on dates. However, Nami has a crush on her cousin Yuji, who works for the fishermen's union, and casually rejects Shosaku's advances.

Hanjiro is a struggling painter that shares a tiny apartment in the back streets of Ginza with his jazz pianist friend who works at a bar. When he and his sweet heart, Hisako decide to get married, Hanjiro is faced with a tough decision. Needing to buy a ticket back home to tell his mother the good news, he compromises his creative principles for love and sells his portrait of Hisako. Hisako heads to the station to see him off, but gets hit by a car...

The first time that up-and-coming architect Yuji Muraoka (Yujiro Ishihara) met Natsuko (Ruriko Asaoka) was at a contemporary art exhibition at the Ueno Museum of Art. At the time, he didn't feel anything special about her, other than being impressed that she was the younger sister of the respected Nonomura-san. Later, at Nonomura's birthday party, some people who were jealous of Yuji's talent tried to embarrass him by forcing him to perform a hidden talent show, and Natsuko quickly came to his rescue. This incident caused the two of them to become much closer...

Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.

In the early Meiji era, two contrasting craftsmen, who had been bound by a ten-year strong friendship, suddenly hated each other and face many obstacles. Adapted from Shugoro Yamamoto novel.

1965 Nikkatsu movie.

Tetsuji Tachibana was fired as a pilot after Jim gave false testimony in an accident caused by Captain Jim's intoxication. Only Junpei Nambu, the editor-in-chief of “Kokuikai” (Aviation World), was on Tetsuji's side. Tetsuji questions Jim, but Jim refuses to tell him anything, and the atmosphere turns sour. At that moment, Yosuke Sugie, a former classmate of Tetsuji's at the Civil Aviation College, enters the office.