Keijirō Morozumi

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his old life, he faces great odds in a variety of different harrowing circumstances as he and his men sneak behind enemy lines.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

Attacking Asao Uchida's lonely, clifftop mansion in no-holds barred massacre.

1963 Japanese movie

A young woman begins murdering all those responsible for her ailing father's condition. Because the girl is so outwardly sweet and innocent, the detective looking into the deaths does not suspect her.

Aiba is a gang boss who has just got out of jail, and finds everything has changed. His old gang has broken up, and only a few people still respect him. So he becomes a consultant to another gang who are about to be clobbered by a much larger gang moving in from out of town. Aiba proves a crafty tactician, and does very well at playing gangs off against each other in order to save the smaller gang. His advice is not always taken by those he tries to help, but he is generally proved right.

In 1842, in the Umemoku Mansion within Hikone Castle, Naosuke Ii, despite the tumultuous times, was engrossed in the world of tea ceremony. His friend, the Kokugaku scholar Nagano Shuzen, introduced him to a captivating shamisen master named Murayama Taka. Naosuke became deeply infatuated with her, disregarding the jealousy of his consort Shizu and the warnings of his senior retainer, Gaiji. However, upon discovering Taka's relationship with Shuzen, Naosuke promptly ended his ties with her.

Police detectives investigate the link between a serial killer's machinations and a teenage boy who committed suicide.

The seventh chapter of the stunning Hibotan Bakuto series. Many years have passed since Oryu the Red Peony began her soul-searching journey after her father was killed. In her travels, she meets villagers whose crops and livelihoods are being destroyed by pollution from a local factory. They seem to work out an agreement, but Oryu must help the poor villagers when the greedy factory owner and corrupt politicians betray them…

After the enactment of the Anti-Prostitution Law, the red-light district in Shinjuku lost its allure. Even the gambling den of the Ryūzaki family was always deserted. Ryūzaki, the boss, declared his retirement in response to the changing times. It was thought that Igarashi, who valued righteousness and principles and had the respect of others, would become the second-in-command. However, he was an annoying presence to Ryūzaki...

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

Though he has come from a rough background on the streets, Muraki quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.

After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.

A yakuza gang gets driven out of Yokohama by a big gang from Tokyo. They relocate to Okinawa to violently start over.

After spending several years in prison, yakuza punk Masa (Bunta Sugawara) and his underling, Katsuji (Tamio Kawachi) are back out in the mean streets of Kobe to make a name for themselves amongst the local yakuza organization.