Rachel Lysaght

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.

An extraordinary group of women – supported by activist organisation Justice for Magdalenes – fight to hold the Irish government accountable for abuses in the Magdalene Laundries, Mother and Baby Homes, and the forced separation of families, which takes them all the way to the United Nations.

Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.

This documentary examines age-old questions about the existence of the Devil and good versus evil, through the life of controversial priest, Father Malachi Martin. It explores Martin's horrifying final case before his mysterious death.

Chronicling three years in the life of a young Native American bareback horse racer, her dogged determination, and the relationships that sustain her.

Glasnevin Cemetery is the final resting place of 1.5 million souls; it is Ireland's national necropolis. ONE MILLION DUBLINERS reveals the often unspoken stories of ritual, loss, redemption, emotion, history - and the business of death.

A couple develop an interest in photography.

Strange Occurrences in a small Irish village presents a timely reflection on the position of the Church in modern Ireland. For the faithful it celebrates a beacon of spiritual hope; for sceptics it opens an enticing window on an anachronistic but thriving world.

In Dublin’s industrial wastelands, pre-teen Kylie drives around in a stolen car, indulging her troubled imagination.  Her grieving mother is distant and unaware until a young Guard apprehends and brings her home. He is lenient in his caution, acknowledging the family has been through a difficult time.

Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.

At a competition, a young dancer waits nervously in the wings. Once on stage, however, she shines, demonstrating her great passion for Irish dancing.

A compelling documentary film four years in the making, The Pipe tells the story of the small Rossport community which has taken on the might of Shell Oil and the Irish State. The discovery of gas off this remote coastal village has led to the most dramatic clash of cultures in modern Ireland. The rights of farmers over their fields, and of fishermen to their fishing grounds, has come in direct conflict with one of the world's most powerful oil companies. When the citizens look to their State to protect their rights, they find that the government has put Shell's right to lay a pipeline over their own.

A film about how our lives are shaped by the homes in which we grew up. To what extent are we defined by the homes into which we were born? Our first living space, though we have no say as to what or where it may be, may cast a shadow over the rest of our lives. For better or worse, it can form a key part of our identity, affecting how others see us and how we see ourselves.

A story about motherhood and connection. About how we choose to honour and remember those who are no longer with us – and those who still are. A story about food, and the rituals that unite us.