Guido Seeber

Auguste is an aging prostitute who falls in love with Felix, a younger student. While Felix has strayed away from his parents, Auguste starts taking care of him and spends her life savings into a cake shop to move further away from prostitution, but trouble comes when another woman enters the picture.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

A lost film.

Scientist Martin Fellmann is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares, he encounters a psychoanalyst who offers to treat the perplexing malady.

Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.

When Irmgard becomes pregnant from Georg, a free-love disciple, she decides, for the sake of her child, to pretend they are married. The secret plan is to wed his twin brother, John, who will pretend to be Georg in front of the priest. Soon after that happens, Georg disappears and is declared dead. Years later, Irmgard is trying to escape John, who is obsessed with her. In the mountains, she finds a stranger willing to protect her.

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

A film crew is shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused of a robbery. One of the earliest films portraying bisexual characters.

Nelly's mother is a suffragette and persuades her daughter to join the good cause. Placing a bomb under Lord William's chair love develops between the two.

Popular comedy about a flower seller who cannot afford to pay a tax for having a little dog as her companion, and the new candidate for the post of burgomaster she endangers.

Jenny, a cleaner, is seduced by a local playboy, Edouard. Jenny's parents reject her after she spends the night with him. She finds a job as a vaudeville dancer, but ultimately winds up in the gutter.

No description available.

No description available.

The film is an adaptation of the 1834 play by Alfred de Musset, On ne badine pas avec l'amour. The film is considered to be a lost film.

A man must choose between his mother and his wife as the rivalry ratchets up throughout New Year's Eve. Like Pick's previous films, New Year's Eve does not use intertitles.

The English landowner Wolton has gone on a fishing trip in the Spreewald with his daughter May. They meet fellow Englishman Bruce, who falls head over heels in love with the beautiful May and plans to make her his wife before their holiday is over. However, there is just one problem: May has only eyes for the young boatman Max. Bruce finds an ally in Max’s girlfriend, Grete, and together they do everything in their power to stop the budding love affair. A war of love with a fatal outcome.

Young Jan Bergwall visits his grandmother, the so-called centenary, at Woyland Castle. There he meets his cousin Andrea, who everyone calls "Fundvogel". Jan is fascinated by the young girl's beauty, and soon there is an erotic tension in the air between the two. Although they both have strong feelings for each other, they are afraid to make a commitment, even though their domineering grandmother is determined that they marry. Panicked that he might feel obliged to marry Andrea, Jan escapes from this place. Andrea is deeply disappointed and seeks revenge. Out of spite, she becomes involved with the falconer Bartel and is later raped in a wooden hut. The centigress, concerned about morals and customs, then sends Fundvogel to a convent. She escapes from there and flees into the arms of Jan. When he learns from a letter from the countess what has happened to Andrea, he leaves her a second time. In her despair, Fundvogel then throws herself off a bridge into the floods with suicidal intent.

Jonna cheats on her husband with a chauffeur and is discovered by her husband. After the divorce, she falls into a life of theft and poverty until her daughter helps her reconcile with her ex. This film is considered lost.