Etgar Keret

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.

Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.

A homeless real estate agent who gets legal consulting from his Goldfish discovers that he can travel in time.

After breaking up with her cheating boyfriend, a 30-year-old woman reconnects with six of her exes while trying to find the love of her life.

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20 short films about human rights.

These short television dramas brought young Hebrew writers together with a new generation of filmmakers. The prevailing topic is love between young urbanites.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

This film is an adaptation of Etgar Keret's famed short story 'What Of This Goldfish Would You Wish?' in which a young man named Yoni (Jason Ritter) sets out to make a documentary about the secret longings of everyday Americans. By knocking on strangers doors and asking them this question: 'If you had a magic goldfish that granted you three wishes, what of this goldfish would you wish?' Yoni thinks he will discover the hopes, dreams and greatest wishes his fellow citizens. But Yoni is not prepared when he meets an elderly immigrant named Sergei who we learn has been wrestling with the exact same question for years and is desperate not to lose his old friend-- a beautiful talking goldfish (Lucy Punch).

In a near future, a man wakes up in a hospital to find out he’s lost all his memories in a car accident. He is temporarily named Mickey and is placed in a state of the art rehabilitation center which uses the latest in virtual reality as part of Mickey’s therapy. However, the border between the virtual and the real starts to blur once Mickey falls in love with his virtual friend Natasha.

In his short stories, Israeli writer Etgar Keret mixes fantasy and reality. His own life story also comes across as a modern fairy tale. In this hybrid documentary, the filmmakers investigate why storytelling is essential for Keret's survival.

Gun in hand, a homeless man requests a dollar.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Facing thirty, Elliott realises he has skewered the potential of every relationship that has come his way. The weekend his brother shows up on his doorstep and a bizarre neighbour begins spying on him; Elliott is driven to the edge in this uneasy psychological tale of obsession. Directed by the winner of the 2011 Iris Prize, Eldar Rapaport, who has since gone on to direct feature films, including the beautiful August.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Skin Deep is a tragic comedy of a destined loser who will do anything to prove that the destiny is wrong. A story of a hopeless romantic who wants to surprise his love one with a tattoo on his left arm carrying her name, and ends up by surprising her with another lover. Now he has tow options: abandon his belief in an eternal love or find another girl with the same name.

A most unusual love story unravels when the objects in a young man's pockets come to life.

After his wife leaves him, Charles begins to assume the identities of strangers at a local coffee shop to avoid being alone.

Szymon, a thirty-year-old doctor with a girlfriend, a car and a mortgaged flat, feels a growing sense of impending disaster. After his birthday party he reviews the day’s regrets—especially the saga of Rysiek, his family’s unwilling tenant—and sees in his father’s weakness a warning of his own potential failure, blending humor with existential unease.