Chris Walla

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

A concert showcase that features music artists performing in unique settings, such as museums, temples and synagogues. The series also features interview segments with the artists.

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

Death Cab for Cutie presents: Directions, an innovative anthology of 11 short films inspired by each song on the band's acclaimed album Plans. Every song was directed by a different director and includes 2 bonus videos of unreleased songs. The unprecedented collection came about as the brainchild of otaku-house, the production company owned and run by childhood friends Nick Harmer, bassist for Death Cab for Cutie, and video director Aaron Stewart-Ahn. They saw the opportunity to enlist a variety of talented young artists to each make a short film set to a Death Cab song, without the constraints of the traditional music video- no arbitrary performance footage, the band themselves would not appear in the films. The ultimate goal was to create a series of small films that worked together as both individual pieces of art and as a unified whole.

Drive Well, Sleep Carefully joins Death Cab for Cutie on tour in the spring of 2004. Filmmaker Justin Mitchell captured dozens of shows across the country and interviewed the band at length in their hometown of Seattle, WA. Shot entirely on 16mm film, the live footage is mixed with candid conversations about the creative process, the band's dedication to their work and life on the road.

Torrey Pines is a stop-motion animated feature film by director Clyde Petersen. Based on a true story, the film is a queer punk coming-of-age tale, taking place in Southern California in the early 1990's. Raised by a schizophrenic single mother, Petersen's life story unfolds in a series of baffling and hallucinated events. With a mother fueled by hallucinations of political conspiracy and family dysfunction, twelve-year-old Petersen is taken on a cross-country adventure that will forever alter the family as they know it.

On April 22 and 23, 2009, Death Cab for Cutie returned to Bellingham, WA, where they had formed over ten years prior, to perform two sold-out concerts at the historic Mt. Baker Theatre. This film features previously unreleased performances from these two very special nights as well as interviews with band members about the band's early days in Bellingham.

In addition to drumming with indie bands The Velvet Teen and Little Tin Frog, Logan Whitehurst created spectacular art and music under his own moniker, Logan Whitehurst & The Jr. Science Club, where he was able to express his silly and humorous nature. To top it all off, he was a genuine and kind person, and was a true friend to everyone he knew. Learn more about how this incredible human being was able to maintain a youthful curiosity that affected his art, relationships, and perspective on the world, and how his influence continues to live on and inspire future artists.

Reel Old School is a documentary made by college students John Cotton and Brady Effler. It investigates the transition in the music recording world from analog to digital. Interviewing well known musicians and engineers such as Steve Albini (The Pixies, Nirvana, Shellac, Bush) Chris Walla (Death Cab for Cutie) Bil VornDick (Bob Dylan, Alison Krauss, Marty Robins, Bela Fleck) Claire Lynch (IBMA Vocalist of the year) Derek Webb (Independent Christian artist) among many less known independent artists and engineers. Showing correlation between the democratization of recording technology and the fall of the music industry. As well as highlight two conflicting paradigms. The analog paradigm of devotion and dedication to craft and the digital paradigm with the dividing of life into app sized proportions.