Directing
In this film that wavers unsteadily between a comedy and a tragedy, Murtaza (Mujdat Gezen) is a deluded security guard whose fanatical reverence for "duty" verges on the psychotic. He is incapable of seeing himself for what he is -- and as a consequence he is often the unwitting and unknowing brunt of jokes. His wife and daughters are painfully aware of his shortcomings, but they generally suffer in silence. One of the daughters ends up working in the factory to help the family out financially, and when Murtaza finds her sleeping on the job one night he hits her so hard she eventually dies from the blow. Though that is not the end of it, by any means.
İlyas, a truck driver from Istanbul, arrives in a remote village to work on a dam construction project and meets a young village woman named Asya. They fall madly in love and get married. However, their life together is fraught with conflict. When İlyas cheats on Asya, the final straw in their relationship, she takes her son and begins wandering without knowing where she is going, until a familiar hand reaches out to help her selflessly.
On a misty morning, an old bus leaves Batum to go to Istanbul. As the bus stops at various places on the way, Russian women of all ages and professions, each with a unique tale, board. In this bus full of women, there are three Turkish men. Three brothers who have come together after many years to carry their father's last wish.
Laborers of the film industry have decided to march against the new censorship act in 1977. 60 years of silence in cinema was going to be interrupted for good. From actor/actresses to set workers, 400 women and men have started a 5-day-long walk to Ankara. A walk that was conceived with supportive but surprised looks of the public. The documentary tries to picture this forgotten but historical event in the light of the 100th year of cinema.
The story of two couples, Ayla and Yadigar and Seher and Hüseyin, who know each other on a journey through the secret history of nudity. This journey begins with two women starting nude modeling in an art academy, beyond the husbands' knowledge. But it doesn't take them long to find it out.
Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?
Story of daydreaming rebellious Rosa searching for love from her teenage years to her deathbed.
No description available.
Five short stories based on 'Love' and 'Tolerance' themes. Each of the short films moves along their own lines and ultimately converges in the concepts of love and tolerance.
Yengeç Oyunu (Crab Play) tells the story of women from a small city, trying to survive. Asya (Ayça İnci) who is a History assistant professor at Istanbul University moves to a town taking her 5-year old daughter İpek, hoping to build a new life. in a little while Asya finds a job at the University and finds herself in an unusual project along her students. A project that will change their life. While investigating old Ottoman documents, they discover a murder case which grabs their attention. At the time seen as an honor killing the suspect has been acquitted. While Asya and her students investigate and find various aspects of this murder, they fight with their own demons as well as those of Turkish society.
Adapted from the stories "Come on" and "Ash Birds" from Onat Kutlar's book "Ishak". A story with themes of love, death and fear.
The son of a wealthy, respected family seeks the hand of Hazal; unexpectedly, soon after her marriage, her husband dies. According to custom, as the deceased family had paid dowry for Hazal, she must marry the next male sibling—which in this case, happens to be an 11-year old boy.
It is the story of the dilemmas and struggles in the life of a film director during a period when fear and despair reigned, people were imprisoned, tortured, and killed. The director, who wants to make a film about Nazım Hikmet, is trying to find the money to do so.
A man researches the death of his political activist father while in police custody.
A father and son come to grips with external hardships and their own human frailties as they attempt to earn enough money to send the boy to school.
In 1961, the young writer Onat Kutlar goes to Paris to study philosophy. After discovering his passion for cinema at the Cinémathèque Française he decides to found a Cinematheque in Istanbul to bring the world of art cinema to Turkey. Although the Turkish Sinematek came to a tragic end in 1980, it quickly established an intellectual film culture that continues to influence Turkey today.
In this lush police mystery, the love of three different men for one woman spans five decades and results in one man's death.
