Maria Lúcia Dahl

A down-on-her-luck former inmate tries to reconnect with her daughter--to the objections of her sister who raised the girl, meets a millionaire, and transforms into a strong woman, returning to society at Dancin' Days nightclub's opening.

Is it possible that in a world ruled by appearance, there is room for loyalty, ethics, true love, honesty and solidarity? Is it possible, today, when unrelenting consumption is a way of life, to find someone who equates more value to being rather than having? Cobras & Lagartos is an urban tragic comedy, modern and humanist, that deals with two increasingly different worlds: one which values loyalty and solidarity and the other, where the seduction of superfluity and the power of money reign.

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Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

Lauro Fontana wants to build the biggest hotel in Brazil, but he needs to convince the Camará brothers to sell the mansion they live in, facing ethical dilemmas and personal obstacles.

A widower who was anything but traditional for the 1950s, Álvaro has a frank relationship with his daughters and becomes the target of criticism from his sister-in-law Fausta, especially when he meets Marta.

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Sexy girl seduces all the members of her family. She indirectly causes the failure of his father's marriage, for her stepmother falls in love with her. Then, she has affairs with her father's stepson, and with the farm housekeeper. She and some friends are also raped by some bad guys. But they all celebrate the ruin of traditional family values.

The mining town of São João Del Rei became the setting for a romance set amidst discussions about land division.

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In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.

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Mini series about the 1960s in Rio de Janeiro, when a politically engaged student falls in love with a left wing journalist's daughter who doesn't care for politics. The romance follows 15 years of Brazilian history, since President João Goulart deposition by military reactionary forces, until the first signs of restoration of democracy, in the 1980s.

Arriving in Lisbon from London, Basílio falls in love with his cousin Luísa, but he must go to Brazil, promising he will eventually marry her. As time goes by, he sends her a letter ending the relationship and she marries Jorge, an engineer. One of Jorge's rich aunts dies, leaving him a small fortune and her former maid Juliana. Juliana gets hold of love letters between Luísa and Basílio and starts to blackmail her employer.

Brutal murders take set during the new production of "Marilia De Dirceu" at the Theatro Municipal in Rio De Janeiro. When Cristina Andreatti, daughter of famous Brazilian musician - Gastão Andreatti, takes the lead role, replacing La Carlota Alencastro, Cristina falls on the hands of a mysterious masked man who claims to be Alfredo do Vale, a musician who was killed in a brutal accident years ago.

Helena, married to decorator Bruno, is a woman dissatisfied with the futility of social life. She rekindles her relationship with her former boyfriend, Clóvis, and discovers how difficult the struggle for happiness is by seeing the example of the less fortunate. After saving herself from the rough seas on the beach, Helena finds herself possessed by a mystical fear. On New Year's Eve, while the people celebrate Iemanjá, Helena and Bruno throw a lavish party. Their employee, Luiz, is arrested as a suspect in the death of a woman found on the beach. Having a disagreement with her husband, Helena leaves the party and throws herself into the sea. She is saved by Umbanda followers and welcomed by Bruno, who tries in vain to comfort her.

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.