
Valeriy Priyomykhov
Acting
Known For

No description available.
When Idols Were Gone

Matvey Pestsov, an employee of the District Party Committee, proposes to introduce collective contracting in one of the collective farms. The administration and the chairman of the collective farm Volgin are against the experiment. But Pestsov does not give up.
Into the Mud

In 1953, the year Stalin died, many prisoners (some political, but mostly common criminals) were released from the Soviet Gulags. This is the story of a remote settlement which was under attack by a bunch of these recently-released blood-thirsty thugs in the summer of 1953, and the townspeople, along with a two political prisoners, who try to stop them.
The Cold Summer of 1953

Franz Maurer, a compromised cop, former officer of the criminal department of the Warsaw's police, is released from prison where he was doing time for his brutality and murders. He is awaited by Nowy, a former police colleague. Franz tries to go straight starting hard work in a steel mill. Nevertheless, he must leave the factory as a criminal with an uncertain past when he doesn't join the strike organized by the workers' union. At the same time, a merciless war continues in former Yugoslavia. Wolf and William, two high rank officers, come to Poland in order to organize a network selling and smuggling arms to Yugoslavia by way of Albania.
Pigs 2: The Last Blood

Wedding in a provincial seaside town. In the midst of the fun criminal authority Tourist begins to molest the bride, which infuriates the groom — merchant seaman. The bandits and the police decide to plant a sailor, but he runs away and on his quest sent the police, killers, relatives and different people.
Don't Cry Mommy

A government agent leads his team's effort to stop Russian rebels from smuggling a stolen missile through Sweden.
Hamilton

Vadim, a part-time dump truck driver in Leningrad, picks up an extremely young woman, along with a newborn baby. Vadim is forced to spend the rest of his day with Anna, helping her untangle herself from unpleasant, dramatic, and even tragic situations – and she and she alone is to blame for all of them. The baby, which Anna stole in order to make an impression on an estranged lover, is finally returned to its parents, but the problems that the theft caused remain.
Dear, Dearest, Beloved, Unique...

On the night of June 22, 1941, a fire breaks out on a German passenger ship. The Soviet tanker "Caspian" comes to its aid - and navigator Nikolai Borshch rescues a German girl, being severely injured in the process. Later, however, the Germans capture the "Caspian" and force it to go to Hamburg...
At the End of the Night

At the filming movie about the crusaders, in Turkey, with one of the stunts died in accident. Death of a stuntman was rigged by criminals, who smuggled a large shipment of drugs in the coffin. Producer Anton is killed, money stolen...
Crusader

Two young boys are trying to prevent a massive antiquities theft.
Prince Udacha Andreyevich

A murder has occurred, for which the famous artist Botsanov takes responsibility. However, the matter was not as simple as it might seem at first. The investigation of the crime is entrusted to an experienced investigator.
Pants

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.
Day of the Full Moon

A teenage girl considered by everybody as "difficult" is sent to the village to live with her grandfather.
The Useless Girl

A circus arrives in a provincial town. Without any malicious intent, the local kids steal a trained bear named Gavrila from the circus to set him free...
Wild Gavrila

A former police colonel robbed a bank. He believes that this is the only way to prevent the illegal export of gold, which goes through a channel controlled by the mafia.
Thank God, Not in America...

It consists of three short stories united by the theme of war: "Where Are You, Lyubov Dunyashova?", "You Have Me", "Everyday Matters".
Everyday Matters

He considered his family life perfect. Normal, and sometimes big wages quite satisfied a beautiful and gentle wife. The child didn't cause much trouble. All that was needed for his happiness was available. But the wife is gone. She left not to another, but left, so as not to be unhappy.
The Wife Has Left

Not far from the military airfield there is a looted and dilapidated ancient monastery. A group of local enthusiasts and metropolitan restorers are trying to restore the destroyed monastery by all means...
Extension of the Family

Pavel and Pavelina leave their rural countryside homes and move to Moscow to find work. Once there, they find that urban life is not what they thought it was and have to endure bitter hardships as they try to find work and places to live. The two meet for the first time during a fight at a bar, when they are arrested by police along with others in the building. The understand each other's troubles and band together to avoid both the police and criminal gangs that plagued Moscow toward the end of the Soviet Union.
Migrants

After being demobilized, Ivan Cheprasov came to work in the motorcade. The chief assigns Ivan an ancient wreck that no one has bothered to repair. 'Colombina'—as the drivers jokingly nicknamed the old car—became a 'touchstone' for Ivan, testing his resilience and skill. Additionally, Colombina serves as a highly humanized metaphor for metal in Ivan's life, continuing the tradition of Soviet social realism by portraying another archetype, in this case, the ideal chauffeur.