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Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.
Sňatky z rozumu was a Czechoslovak television programme which was first broadcast in 1968. The programme was directed by František Filip.
A fiction piece centered around the Czech resistance to the Nazis.
The story of a friendship for life and death captures a real event that took place in the snowy Krkonoše Mountains in 1913. The actors of the drama were Bohumil Hanč, one of our first ski racers, and his friend Václav Vrbata. The film's plot takes place between 1912 and 1913 and is framed by two international 50 km races. After winning in 1912, Bohumil Hanč wants to stop racing at the behest of his wife Slávka. In 1913, strong foreign competitors enter the race, so Bohumil succumbs to the pleas of his friends and decides to race for the last time. However, the weather changes during the race. Strong winds and snow begin to blow, severe frost sets in, and for the racers, it means a fight for their lives.
The year is 2163. Starship Ikaria XB-1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.
The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.
The film was based on the novel "Milión" by Karel Štorkán. The book and the film depict the events surrounding the great construction disaster in Prague in 1928, in which 46 construction workers died. The disaster thrilled the entire republic at the time, yet was never fully explained. The filmmakers focus on the story of Ing. Vondrák, the designer of the construction.
The Czech revival movement is divided at the end of the first half of the 19th century. While the older generation, such as František Palacký, urges restraint, students lean towards radical positions. A report on the revolutionary events in Paris prompts Czech Prague residents to write down the demands of the Czech nation for self-determination and the proclamation of a constitution. Tensions peak during the All-Slavic Congress in Prague's Žofín. Vienna rejects the Czech demands and the congress is brutally dispersed by the Austrian police. Prague begins to build barricades...
The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.
A frightening atmosphere, full of chilling dampness and darkness, follows the fate of a desperate searcher who tries in vain to unravel the supposed secret of the altarpiece...
In the middle of the eighteenth century, at the time of the Prusso-Austrian War, a cuirassier, a hussar and an infantryman meet by chance and hide together in a secluded place. The war has left different marks on each of them, but they all long for normal human happiness. Although they initially have different attitudes towards military service, they are changed by their stay in seclusion and the atmosphere of life in a peasant cottage and refuse to return to the Austrian army. But all three Theresian "misfits" take up arms again, which they no longer want to touch, when the solitude is overrun by the Prussians. They manage to cover the escape of the family and their child, but pay with their lives.
