Masako Motai

Oomae Haruko is an A+ Temp worker who never cracks a smile or minces words, and leaves work on the dot. But her cynical nature indicates she has something painful to hide. Satonaka Kensuke has just been promoted to head S&F's new Marketing Division. Saddled with a rag-tag group of subordinates, he is struggling to lift his division off the ground. When Oomae is placed in Kensuke's department, she finds herself doing more work than she's ever done before. This is a timely drama that examines the different attitudes toward temp workers and regular employees, and the ways to overcome frictions in interpersonal relationships. This follows an October report on labor conditions by the Labor Ministry, which showed that, after regulations were relaxed, the proportion of regular employees to Temps had doubled compared to that of eight years ago.

Hatanaka Kosaku is a talented boxer who turned pro at the age of 19, winning his debut match with a first round KO. He is talented, but he has no guts. His uncontrollable appetite is an even bigger problem. He can't put himself in the right weight class, he runs out of energy because of hunger, and he gets knocked out while his eyes are set on food at the ringside. However, Kosaku's life changed when he met Sister Angela, a novice nun in the convent near his boxing gym. She became the source of his power, and Kosaku fights only to win her heart.

Maki Maki, Sebuki Suzume, Beppu Tsukasa and Iemori Yutaka happen to meet and form a quartet. They even begin to live together in Karuizawa during the winter, but there is a big hidden secret.

The job of a medical jurisprudence involves a lot of complicated crimes such as murder and accidents. Hikaru (Fukatsu Eri) is a graduate of a medical university, also focused her discipline on neurology. One night during a student reunion, a dead body was found in the kitchen. Hikaru, who is a little regretting that she choose her focus in neurology was moved by another doctor's words, Dead bodies will not tell us what happened, that is why we have to piece together its last words.(Dramawiki)

A young woman Chiaki whose family runs an old miso company in Nagano Prefecture, the only daughter of old traditional family. For generations, they were making soybean paste for living. Now she needs to take over this business and rebuild it. She lives through the hardships of postwar Japan.

Tenko runs a pension alone. The pension is located in a forest in Nagano, that is full of the Japanese larch tree. She interacts with her guests, who come from all walks of life.

Shinko (Ryoko Shinohara) is an accounting auditor who chases after tax evaders and embezzlers that hard working citizens needlessly pay for. Shinko has a knack for solving cases without common sense or standards.

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Akiko lives with her mother, but suddenly her mother passes away. Since then she quits her editing job and takes over her mother's small restaurant. At the restaurant there's only two items on the menu: sandwich and soup.

Yoshiko Aoi is a budding researcher in ethology, the study of animal behavior. "Men=male" are born unfaithful. But through her studies, Yoshiko learns it's not the males' fault. Rather, it's the fault of their genes, who work to replicate themselves by controlling the males' body. This is the sad, but commonly accepted theory of biology. What's even sadder is that Yoshiko's nickname is "Gene," because her name written in Chinese characters can also be read as "Jinko/Geneko." The love story follows Yoshiko's struggles with research and romance. -- Fuji TV

Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.

In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.

A year has passed in postwar Tokyo, and struggling writer Chagawa enters the Akutagawa Prize competition in hopes of securing a better future for the boy in his care, while the Suzuki family unexpectedly take in a new relative who looks down on their humble way of life.

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A young man is falsely accused of molesting a high-school girl on a train. He is arrested and charged, and goes through endless court sessions, all the while insisting that he is innocent.

When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.

As the Tokyo Olympics usher in a wave of rapid modernisation, the residents of Third Street face new beginnings as Mutsuko becomes involved with a seemingly perfect young doctor who may not be all he appears, while Chagawa struggles with his stalled writing career and what it truly means to be a father to the boy he has raised as his own.

On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.

While on a cigarette break in between sets, Koji, a jazz musician, witnesses a murder and runs into a girl, Linda, who is being pursued by the killers. Mistakenly identified as prime suspects, they have to solve the crime but time is running out: Koji has to be back to perform in his club by midnight, as a very special guest will be attending.

A haiku club comprised of five unlikely students aim to win the national high school haiku tournament.