Amiri Baraka

ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.

A successful black businessman, haunted by his crumbling marriage and identity crisis, is drawn into a psychological game of cat and mouse with a mysterious white woman he encounters on a New York subway.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

A gritty, provocative true-life story of three friends from the 'hood, Rameck Hunt, Sampson Davis, and George Jenkins, who made a pact in high school to find a way to go to college and then medical school. They not only accomplished this, but they're now spreading the word to inspire other inner-city kids to stay off of drugs, out of gangs and to take the educational route to a better life. THE PACT captures the pathos of the men's individual journeys, the integrity of their voices and the power of their rare friendship. Their stories affirm the values that ultimately sustained and drove them: courage, tenacity, and faith. And they give tribute to the life of the mind and its power to turn dreams into reality.

A black radical's ex-wife and children establish a new family unit with a Caucasian man, but he eventually returns to violently besiege them inside their home.

More than 20 contemporary North American poets recite, sing, and perform their work. Early in the film, Charles Bukowski talks about the energy of poets and of a poem. These poets are the children of Walt Whitman and of Charles Olson, incantatory and oratorical, radical, sometimes incorporating contemporary political imagery. Black Mountain poets, the Beats, minimalists like John Cage, the wordless Four Horsemen, Tom Waits, and others capture aspects of poets as troubadours.

Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

After breaking ties with the Nation of Islam, Malcolm X became a man marked for death...and it was just a matter of time before his enemies closed in. Despite death threats and intimidation, Malcolm marched on - continuing to spread the word of equality and brotherhood right up until the moment of his brutal and untimely assassination. Highlighted by newsreel footage and interviews, this is the story of the last twenty-four hours of Malcolm X. Featuring the music of jazz percussionist Max Roach.

An exploration into the life and art of the renowned author of "Last Exit To Brooklyn" and "Requiem For A Dream." Hubert Selby Jr., a self-described "scream looking for a mouth," against all odds, reached international acclaim with his controversial novels. His is a classic story of the great American novelist, overcoming tuberculosis, drug addiction and financial ruin, Selby eventually triumphed in his life and penned seven of the most remarkable and distinctly American books ever written.

A look at the life and work of American publisher Barney Rosset, who struggled to bring controversial works like "Tropic of Cancer" and "Naked Lunch" to publication.

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

The film recounts the "First International Festival of Poets" held on the beach at Castelporziano in 1979, intertwining the event with symbolic and disturbing events in Italy in the late 1970s, such as the proximity to the site of Pasolini's murder and an oil spill offshore coinciding with the event.

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

The long and remarkable life of Dr. William Edward Burghardt (W.E.B) Du Bois (1868-1963) offers unique insights into an eventful century in African American history. Born three years after the end of the Civil War, Du Bois witnessed the imposition of Jim Crow, its defeat by the Civil Rights Movement and the triumph of African independence struggles. Du Bois was the consummate scholar-activist whose path-breaking works remain among the most significant and articulate ever produced on the subject of race. His contributions and legacy have been so far-reaching, that this, his first film biography, required the collaboration of four prominent African American writers. Wesley Brown, Thulani Davis, Toni Cade Bambara and Amiri Baraka narrate successive periods of Du Bois' life and discuss its impact on their work.

Doug Harris's 1982 avant-garde jazz film Speaking in Tongues was funded by German Public Television channel ZDF and broadcast throughout Europe when it was first released. The now rarely seen work features saxophonist David Murray, percussionist Milford Graves, and poet-playwright and novelist Amiri Baraka, and serves as a tribute to Albert Ayler, a tenor saxophonist who was a leader in the free-style jazz movement before his mysterious death in 1970.

Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.

Because jazz is the miraculous product of the horror of slavery, Youssou N'Dour returned to the slave route and the music they created, in search of new inspiration. Accompanied by the blind Swiss pianist Moncef Genoud and the Director of the Gorée House of Slaves Museum, Joseph N'Diaye, the Senegalese singer wrote new songs during this initiatory voyage which took him to the USA then to Europe. At Gorée, an island just off the Senegalese coast and symbol of the slave trade, his memorable concert marked the end of this quest and the start of a new challenge: making today's generation aware of the tragedy of slavery, the importance of not forgetting and the need for reconciliation.

James Baldwin was at once a major 20th century American author, a Civil Rights activist and, for two crucial decades, a prophetic voice calling Americans, black and white, to confront their shared racial tragedy.