Mamata Shankar

After being molested, Minal and her friends try to file an FIR against a politician's nephew. When the subsequent case gets rigged, a retired lawyer helps them to fight the case.

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

A lonely, retired police officer decides to travel. In his quest, he meets a lady, and they both search for life and love in their late 60s. They relive moments gone by, seeking to finally find their "Happily Ever After." Will they manage to do so?

The story revolves around a hotel named "Shah Jahan Regency" and lives of people associated with that hotel. The hotel is one of a kind and very different from others as it strongly believes in the rich culture of India and tries to imply and maintain that in every aspect of the hotel - starting from the decor, to uniforms of the staff members, to the names given to various parts of the hotel.

‘Pinjar’ is an evocative meditation on captivity—of bodies, of spirits, of choices—unfolding through the entangled lives of five individuals and a wild bird.

A Bengali language rock musical.

A political journalist associated with a leading mews channel found an interesting story in a woman who rose from an ordinary housewife to a notorious lady mafia gang leader in the 80s Shibpur who dominated the area for long time but went missing in late 90s and was never found.

A heartwarming collage of inter-connected love stories, Ahare Mon is a romantic drama that revolves around people who are otherwise forbidden to fall in love.

The film is based on the lives of Bengali's across the world, especially on those settled abroad. It attempts to delineate the pain and dilemma of Bengali's estranged from their places of origin. It seeks to explore sensitive souls singing to the tunes of Tagore.

Deepak Pradhan, a young police officer, gets transferred to North Bengal where his junior officers are involved in corrupt practices. When disturbing events from the past start to surface and the pressure builds, will Deepak be able to hold on to his principles to save his integrity and loved ones?

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

Kaushik Ganguly will bring the story of dismissal in his new film ‘Palan’ in the context of 2022. The characters of Kharij will remain the same, the names will not change. The story will change a bit to keep pace with the context of this era.

The film follows Mrinal Sen in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

Anirban is a professor who lives in Delhi with his wife Tanu and daughter Zinia. He is transferred to a lonely town named Kasauli. They enjoy a lot in the new city but their neighbors are mysterious. One day, their daughter Zinia goes missing during an excursion. Anirban and Tanu enquire and come to know that Zinia's friends didn't even accompany her.

'Prajapati' is the story of Sukhen who grows up neglected to become a rough person with a heart of gold. Shikha, Sukhen's beloved wants him to lead a normal and healthy life. His elder brothers are political leaders who work only for their personal gains. His eldest brother Keshav runs a drug business behind his medical business. His second brother Purnendu is a corrupt man who kills the young maid of their house. Sukhen attempts to stop the fatal rift growing between his brothers but is killed while doing so.

The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.

​A pre-teenager servant boy dies of carbon monoxide poisoning on a cold winter night in the kitchen. The happy household is suddenly thrown into a psychological trauma. Torn between a sense of guilt and fear of a police case and consequently scandal, the employer and his wife expose their petty, hypocritical selves.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

A world-renowned chef returns to his roots through a bowl of fish curry, the quintessential Bengali delicacy.