Iraj Raminfar

Sarbedaran is a historic series based on the revolt of the 'Sarbedar's of Khorasan, led by Sheykh Hasan Jowri against the Mongol Conquest of Iran. The director of this series is Mohammad Ali Najafi and it is written co-directed by Keyhan Rahgozar. Parts of this series also refer to the previous leader and the pioneer of the movement, Sheykh Khalifa of Mazandaran.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...

During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.

During the 2006 World Cup qualifying match between Iran and Bahrain, numerous young women are caught and rounded up for dressing as men so they could gain access to the game. Guarded by several soldiers in a holding pen, the women attempt to keep updated on the score.

Pizza man Hussein is a daily witnesses to the unjust distribution of wealth in his native Iran. One day, he finds a purse filled with shockingly expensive receipts from an upscale jewelry store. He attempts to bring the purse back to the store, but because of his working-class attire, he's not allowed inside. Then, during a delivery, a rich man invites Hussein into his extravagant mansion – an event that spurs Hussein to make a desperate bid for wealth.

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

In a remote seaside village, the peaceful lives of the residents are upended when they spot a mysterious boat drifting toward the shore. Upon pulling it in, they find a weary and wounded stranger named Ayat, who has no memory of how he got there. He only recalls being attacked and barely escaping with his life. As Ayat tries to rebuild his sense of self and uncover the truth about his past, he becomes a source of curiosity and suspicion in the community.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

Between years 1976-79 in Tehran, the story of Reza Sarcheshmeh, a man who does not want to compromise on his believes. He is imprisoned and then after 2 years released but involved in the Islamic Revolution.

A scientist has to face many hurdles to be able to continue his work.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Yalda is married to Rouzbeh who is an injure of war. Rouzbeh's health getting worse and they should hospitalize him. Although Yalda loves Rouzbeh very much but she begins to doubt her ...

Farhad tells the story of his life to a psychiatrist. In the time of the Iran-Iraq War, Farhad is arrested and charged with illegal migration. When he is freed years later, he goes to his old love, Mahtab. Through conversations with his psychoanalyst and interrogations with the police, Farhad reveals the story of his life.

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

Tehran, 1948. A young Jewish couple, Danial and his wife Munes, decide to immigrate to the recently founded state of Israel. But their application is rejected on the ground of the documents against Danial's uncle, Yaghub, how is suspected of betrayal. A Zionist agent, named Yezghel, finds out Yaghub's home and stabs him. One of Yaghub's neighbours who witnesses the crime is blamed for murder. Fearing for their lives, Munes and Danial escape to the north of Iran in order to leave the country. The Neighbour's brother, Nuri, a journalist, sets off on their heels to bring them to the court to give testimony on his brother's innocence.

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

On 5 June four hijackers, three men and a woman, hijack an Iranian passenger aircraft. Their commander is a person named Fariborz Atabaki [Nasser Aghayi]. Two of the passengers, one of whom later turns out to be an officer, disarm the hijackers; to the astonishment of the passengers they guide the aircraft to the same European destination the hijackers had intended. The original planners of the hijack hold a press conference at the destination. They say all the passengers are seeking asylum and ask the officer to tell the journalists his views. He says his reason for bringing the aircraft here is to show the world the passengers have no interest in political or social asylum; they all want to return to Iran.

Negar is a married woman who works at a musical company. When she is given an assignment to collaborate with an Iranian expat Orchestra leader, she...

Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.