Katya Paskaleva

A common Bulgarian family spends a warm afternoon in the fall in a country house. The preparations for a dinner party are in full swing. The formal reason is that the son enlists in the Army and the real reason is to arrange a match between him and the daughter of the boss. All the schemes are frustrated as it turns out that the boy has already married another girl. Both the hosts and the guests lose control, unleashing a consecution of tragic or comic situations.

XVII century, Bulgaria is under Ottoman rule. Four men break into the house of the shepherd Karaivan, raping and killing his wife in full view of their child, Maria. To protect his daughter and to enact revenge, he raises Maria as a son, teaching her to fight and kill. But as Maria grows up, she longs for a different life.

Fictional film about Hristo Smirnenski's life before his death of tuberculosis at 27...

The beginning of the 20th century. The young Nona comes back to her father's farm from Switzerland. She meets colonel Galchev. The officer expresses his love for her. The teacher Yosif who is in love with Nona organizes a revolt of the villagers with no property. Armed villagers rob the farm. Galchev and his soldiers arrive. During the shooting, the colonel is killed. Nona accuses Yosif of Galchev's death. The carriage of Nona's fiancé, who travels from Switzerland to the village, passes by the coffin with Galchev's body. A second after the fiancé enters her house Nona kills herself.

An extremely honest forest ranger fights for the trust to the very end.

Elka has a family and a house in the village, but she dreams of living in the city. To get an apartment, she gives a bribe to Maria. Maria is an honest woman. But she is forced to take a bribe to deliver medicine to her sick father. Elka became the cause of the degradation of an honest woman.

The film depicts the incredible metamorphosis of a clerk whose sense of identity and pride are reawakened by an unexpected development.

When a road construction detour forces former lovers Boyan and Neda to cross paths after seventeen years, they are compelled to spend a day traveling together toward Sofia. Their idealistic romance in the 1950s contrasts with their current lives as disillusioned, middle-aged professionals. As they talk, they confront the personal and social choices that led to their eventual separation.

The film belongs to the 'migration cycle' in the Bulgarian cinema. It is about the drama of a group of women who have been left alone in their 'female kingdom' - a village deserted by its entire men folk.

The tale of a stable of traveling Bulgarian actors at the turn of the century, with their newest recruit, a schoolteacher who has taken the understudy role of Desdemona in a performance of Shakespeare's "Othello", learning about her team and the passion they all share for theatre and the performing arts.

Gynecology clinic in Sofia, Bulgaria. On one of the floors several women are waiting for their turn to get an abortion. And on the other floor, four older women struggle to preserve the life they carry. Toni must decide whether to give birth to a child who will not have a father.

An older man of high social standing begins to understand that he's not as perfect as he believed.

The last student days before the redistribution. The linguist must go to a remote village to work as a teacher. The outlook is not good at all for the ambitious man who published his own story and is searching for the realization of a career in literature. Mihail is looking for the possibility that will let him in Sofia. He is from countryside; his diploma is not of the highest merit; his career as an author is still not established. He meets by chance a famous writer. Soon the attitude of Mihail towards the writer becomes colder,, since he understands that he was used as an object of description. Mihail sees the situation as a deal - he offers "material" for the writer's novel for a note, needed for him to stay in Sofia. The writer's uncompromising nature breaks the deal and Mihail is traveling to the village or maybe to himself.

In the last moments of his life, the writer turns over episodes from his past. He finds the cause of another death, ahead of the last breath.

A road-building team is forced to stay idle for a couple of days since the asphalt has not been delivered.

The manager of a small railway station was taken to hospital. His wife Maria was left alone for the first time. Ivan appears and transforms her monotonous daily life and awakens the love in her. She has only to take one step. But is it too late?

A man recalls his childhood in the late 1930s. Uncle Godfather was a favourite of the children - a trickster and combiner, full of kindness, warmth of heart and affection for them. All the time he lives in the world of illusions, builds fantastic plans for getting rich quick, tells fictional heroic stories, but in the game room, behind the roulette, he says goodbye to his hopes. In plot and atmosphere, the film is a kind of sequel to the musical My Father the Painter, created by the same authors in 1974.

A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

During World War 2, four soldiers are trapped between a harsh winter and the enemy. They need food and shelter, but this comes at the expense of their position. With no where else to turn, they begin an odyssey through the mountains.