Dominique Cabrera

Un couple se dirige vers un train en partance pour Venise. Sur le quai, Julien annonce à Marie qu’il part en rejoindre une autre et s’en va, la laissant seule à Paris, enceinte. Bouleversée, Marie se refuse à être victime de cette situation. Elle trouve du réconfort dans son travail auprès de ses deux « cow-boys » de patrons, Jean-Jacques et Jean-Loup, qui dirigent un cinéma du quartier latin spécialisé dans les films classiques américains…

With the President of the Republic very ill, an advisor offers an unusual suggestion: hire a double to replace him during his convalescence. The lucky chosen one is a member of the Comédie-Française but he is also shy, unexciting and often consigned to the supporting role...But a seismic change is about to happen in the Republic.

Set in the summer of 1942 during WWII, the film traces the trajectory of simple people thrown into extraordinary lives, revealing the heart-warming flame of hope and humanity that endures, even in times of war and dispair. As young Julien, his family and a group of friends traverse the French countryside after fleeing the institution they called home, Julien must deal with his father's extreme violence and his mother's rosy fantasies and once again form a family that society tries to forget.

A woman, scared by motherhood and her new born baby, runs away from her home and family to find a shelter at her upstairs neighbour's place.

Corniche Kennedy. In the blue of the Mediterranean, at the foot of luxurious villas, the young kids of Marseille defy the laws of gravity. Marco, Mehdi, Franck, Mélissa, Hamza, Mamaa, Julie : girls and boys dive, take flight, take risks to experience life to the fullest. Suzanne devours them with her eyes from inside her chic villa. Their free bodies, their excess. She wants to be part of them. She will be part of them.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

In Paris, at an exhibition on the French writer, photographer and filmmaker Chris Marker (1921-2012), Jean-Henri Cabrera thinks he sees himself in a specific shot of the short film La Jetée, directed by Marker in 1962.

Single mother Nadia is surviving on welfare while transport strikes are paralyzing France in December 1995. While watching the news, she recognizes the father of her child among the strikers and decides to go and search for him. But she has nowhere to go. The film, shot almost entirely at night, carries documentary qualities, part of which is due to the appearances of actual railroad workers in several group scenes.

No description available.

No description available.

Two lesbians are victims of a break-in. Together with their clan of friends, they undertake a wild investigation, with suspense and rigour, to arrive at the truth. Sensitivities are aroused around life choices, and political choices. Questions of morality comically embellished with words of abuse falling into drunkenness.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

On September 26, 1992, four towers in the Val Fourré neighborhood of Mantes-la-Jolie were destroyed. In the spring of 1991, Dominique Cabrera proposed to some of the former residents to retrace their steps. They go through their old dwellings evoking the memories of the past years. All the life of the housing estate resurfaces, convivial, and to say the least, happy.

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

As death hovers, Dominique films precious moments of a great love story.

No description available.

A few months before he died, Jean-Louis Comolli meets up with Dominique Cabrera for some free conversations with Isabelle Le Corff. They talk about cinema, life, love, death and Chassagne-Montrachet wine. There is laughter and smiles. One is not really serious at the age of eighty.

In 2002, on the occasion of her brother’s wedding, Dominique Cabrera begun to shoot the gathering, and decided to continue over 10 years, time imprinting its marks on her family and "becoming the film" as she expresses it. Halfway between Agnès Varda and Alain Cavalier, Dominique Cabrera delivers a sensitive film both intimate and universal: "Ten years ago, my brother Bernard got married for the second time. We all went to the wedding in Boston, where he lives. It felt as if we were four little children again with our mom and dad. I had brought along a small camera, which I began to use to film our family. I've continued to this day..."

1992, September. Val Fourré, Mantes-la-Jolie. A suburb near Paris. Watched by the crowd, the four towers in Val Fourré crash with a terrible noise. In a cloud of dust, journalists, statesmen (members of the government) and the people of the neighbourhood. A page is turned. People want to believe that things will be better tomorrow. It is a symbol that is blown up. Great projects are announced. A few months later, those who expressed their feeling at the time, are reflecting on the past events, as we watch and listen to their words, the present is taking shape.

No description available.