Samia Gamal

Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.

A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.

Hard-boiled archeologist Mark Brandon is searching for ancient tombs in Egypt when he is approached by beautiful Ann Mercedes, who convinces him to help her fulfill her deceased father's life's ambition - to provide solid proof of the biblical Joseph's travels in ancient Egypt. As an ex-pupil of Ann's father, Mark accepts and the two embark on a search for the tomb of the Pharoah Ra Hotep, said to have had some connection with Joseph. The trail to the tomb is fraught with intrigue, betrayal, murder, and the possibility that the tomb itself has been emptied of all its artifacts by ancient looters.

Abdel Sabour was a thief and a smuggler known as The Beast to the people in one of the villages of upper Egypt; everyone was afraid of him, including the police. He enjoyed the protection of Redwan Pasha, who in turn used him during elections to eliminate his rivals. Officer Raouf Saleh was sent to the village with his wife and son with the assignment of arresting The Beast. However The Beast and his gang worked together from the beginning trying to dispose of the officer and his family in any way possible.

Samir is a singer living happily with his jealous wife Samira. However, His ex-girlfriend Kiki wants to relive their relationship again, but he refuses because he is afraid of Samira's violent reaction. Kiki seeks the help of an Indian Maharaja and asks him to force Samir to attend her birthday party, he then sends his men to do the job. Samir feels intimidated during the celebration and accidently breaks Kiki's pearl necklace which she borrowed from the Maharaja. He promises her to fix it and puts it in his pocket, but becomes drunk and loses consciousness.

When Lamiaa goes to the police to find her brother's killer, officer Essam goes undercover to infiltrate the gang and tries to uncover the identity of the gang's leader and Lamiaa's brother's killer.

This film is based on a novel from 1947 by the Nobel Prize winner Naguib Mahfouz. The story takes place during WWII and focuses on Al-Madak Alley, a teeming back street in Cairo which is presented as the microcosm of the world. A barber is in love with a young poor girl, who lives with her mother, and gets a job in an English Army camp to earn enough money for their marriage. But he is not the only one who wants to marry this girl and when the barber returns, she is gone.

A poor maid loves her wealthy young master and she becomes pregnant. The head of the family seeks to make her marry a lawless man to give the newborn girl his name. Time passes and the girl becomes a dancer in nightclubs, and falls in love with a wealthy young man who knows who is her real father .

The film's events revolve around the singer Farid, who is in love with one of the dancers, who decides to travel on an artistic tour. He proposes to her to marry her after she returns from the travel, but he falls under psychological pressure that forces him to marry another girl who also works as a singer. After the dancer returns from the travel, she discovers something... Her lover's marriage, so she leaves him, but later she discovers that things are not as they seem, and that the singer's uncle loves the dancer and wants to marry her.

Naim, who decides to take revenge on Narges' widow, Wasfi, who caused him to be imprisoned, so he makes an agreement with Dalal in order to plan to seize Narcissus’s money. Her money to him, but he discovers it's not easy at all.

Muhammad Karim directed adaptation of Tawfiq Al-Hakim's play. Mohsen is a reckless young man who has many relationships. He meets the girl of his dreams by chance and falls in love with her immediately, but he discovers that she is his friend's fiancée, so he decides to stay away from her, but she has fallen in love with him.

An Egyptian romantic comedy film produced in 1951, the story and dialogue of Abu al-Saud al-Abiari and directed by Helmi Rafla and starring Farid al-Atrash, Samia Jamal, Ismail Yassin, Abdel Salam al-Nabulsi, Abdul Fattah al-Qasri and Farid Shawqi.

In two imaginary states consumed by wars, the kings decide to resort to affinity to avoid wars. On the way, the king's son escapes from his guards, but he meets his awaited bride, Set Elhosn , without knowing who she is. He falls in love with her while trying to escape the marriage.

Waheed, the young composer, struggles with his sister, the singer Nadia, to make a living. They find work in one of the nightclubs, but the manager expels them because Nadia refuses to sit with the patrons. They suffer from torment and homelessness. Nadia falls in love with the wealthy Mohi, who agrees to marry her, but his mother opposes. As for Waheed, He also loves a rich girl and agrees with her brother to marry her. Mohi marries Nadia without caring about his mother, and Waheed succeeds in presenting the operetta he dreamed of directing.

Adel and Samia are in love, but her father is in financial trouble , when Adel decides to intervene to repay the man's debts he gets in an accident and wakes up to find his sweetheart has married someone else.

The fortunes of down-on-his-luck crooner Asfour change overnight when he discovers a mysterious lamp housing a charming genie. She can make anything he wishes come true, so he asks for help in luring his distracted girlfriend from the charms of a rich competitor. But Asfour soon learns he should be careful what to wish for, as he soon realizes his heart may lie elsewhere.

Before his death, Mansour Pasha writes over his wealth to his two sons Omar and Othman; as the latter drowns, his wife gets a boy and claims he is Othman's son to ensure her share in the inheritance. When the boy grows older, he befriends Rashad, Omar's son, and gates of hell and vengeance open.

A comedic tale created by the late actor Hussein Imam to pay tribute to the stars of the Egyptian cinema in its golden age. The main story is based on mixing scenes of 21-star from black and white period with other scenes written by and starring Imam so that the final product is the rediscovering of old stars in a new context.

Aziza and Sharifa are two friends. They are married to the two friends, Aziz and Refaat. Aziza suspects her husband's behavior, and her friend supports this suspicion. They concoct a plan. Sharifa sends an unsigned love letter to Aziz Pasha and sets him up on a date in the casino.

Two gamblers living a prosperous but lustful life where money has replaced morals. However, their lives change after an unexpected meeting with a belly dancer.