Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.
Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.
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Practical semester at the Halle/Saale Police College: Finally out of the seminar rooms and into real life - which for the students means: real murder cases. With the support of their trainers in the homicide squad, they will have to solve this. The beginners sometimes overshoot the mark, make mistakes and have to learn new things on their way to becoming fully qualified detectives. In each episode, a case between the university and real life is dissected, discussed and solved, while the private complications of the students, lecturers and trainers are not neglected.
After her private life falls apart, a young doctor seeking a fresh start takes over the emergency room in Berlin's toughest, most chaotic hospital. Battling staff resistance and a run-down system, she must unite her maverick team to save lives.
Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.
Bloch is a German television series.
When 10 year old girl is kidnapped from the natural history museum, the police questions eight key witnesses to uncover the truth and find the child before it's too late.
A teenager wakes up in a subway car with no memory of how he got there or who he is.
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
The people of this remote village in the Black Forest don't talk much, but when they do, it's in the Alemannic dialect. Hanna, 21 has traveled far to work here. She shovels manure, milks cows and tries to cope with the farmer, Uwe Kiefer, 39. Rather than sell his milk, he pours it down the drain. The villagers condemn him for continuing the milk strike. Both his marriage and his finances are on the rocks. As Hanna becomes more involved in Uwe's troubles, it seems she may be his only hope. But that's not why she came here. In the neighboring town, she spies on a small family and then Uwe finds her out.
Konnie, a respected musician in the right-wing scene, loses her reputation when she incorporates feminist and queer content into her music. In order to rehabilitate herself, she uses the outsider punk Rudi, who wants to attack a Nazi pub. But both end up fighting a battle for belonging - who will be left standing?
