Robert Benayoun

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

A talk show presented by Michel Drucker

The BBC's flagship cinema review TV program featuring reviews of new releases, news items and interviews. The title of the program changes each year to incorporate the year of broadcast.

Robert Benayoun’s reverence for the uncrowned king of slapstick and unfettered silliness has maybe something to do with his own affinity to surrealism, which he joined in the forties and encouraged him to deal with the great masters of the absurd comedy like the Marx Brothers and Buster Keaton. In six episodes Benayoun, who worked for many years as a film critic in Paris, immerses himself in the various aspects of the personality and comedian. He was allowed to use the inexhaustible supply of unused or private films, since Lewis was known for not throwing away one inch of celluloid and hoarding it in his basement. In addition to the interviews, in which renowned colleagues of Mel Brooks from Scorsese to John Landis and Lewis himself speak, there are especially these rare and sometimes startling images, that give a new sharper view on Lewis as a filmmaker and as a person.

The amazing story of the animograph, a machine created in France in the sixties by the cartoonist and self-taught inventor Jean Dejoux (1922-2015), whose creation was intended to revolutionize the animation industry.

Two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

In this film, an artist attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. His psychedelic hallucinations increase with time. Starring Richard Leduc and Danièle Gaubert with Serge Gainsbourg who also did the score.

The original 54-minute documentary, as broadcast by Channel Four on 20 June 1984, after which the animated links by the Quay Brothers were recompiled as a separate short.

Gilles, a fashionable photographer, loses his wife in a car crash. He desperately searches for her double but when he finds her she is a girl of very different temperament.

A “Cinéastes de notre temps” series episode directed by french film critics André S. Labarthe and Robert Benayoun, originally aired 22 October 1971.