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Ismail Merchant

Ismail Merchant

Production

Biography

Ismail Merchant (born Ismail Noor Muhammad Abdul Rahman; 25 December 1936 – 25 May 2005) was an Indian-born film producer and director. He worked for many years in collaboration with Merchant Ivory Productions which included director (and Merchant's longtime professional and domestic partner) James Ivory as well as screenwriter Ruth Prawer Jhabvala. Their films won six Academy Awards.

Known For

HARDtalk
8.7

In-depth interviews with hard-hitting questions and sensitive topics being covered as famous personalities from all walks of life talk about the highs and lows in their lives.

HARDtalk

1997
The Remains of the Day
7.4

A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

The Remains of the Day

1993
Maurice
7.6

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

Maurice

1987
Howards End
7.0

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

Howards End

1992
A Room with a View
6.9

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

A Room with a View

1986
The White Countess
6.2

In 1930s Shanghai, 'The White Countess' is both Sofia, a fallen member of the exiled Russian aristocracy, and a nightclub created by a blind American diplomat who asks Sofia to be the centerpiece of the world he wants to create.

The White Countess

2005
Surviving Picasso
5.8

The passionate Merchant-Ivory drama tells the story of Francoise Gilot, the only lover of Pablo Picasso who was strong enough to withstand his ferocious cruelty and move on with her life.

Surviving Picasso

1996
Le Divorce
5.0

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

Le Divorce

2003
Heights
6.3

Spanning twenty-four hours, HEIGHTS follows five New Yorkers challenged to choose their destiny before the sun comes up the next day.

Heights

2005
Lumière & Company
6.3

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Lumière & Company

1995
Jefferson in Paris
5.1

His wife having recently died, Thomas Jefferson accepts the post of United States ambassador to pre-revolutionary France, though he finds it difficult to adjust to life in a country where the aristocracy subjugates an increasingly restless peasantry. In Paris, he becomes smitten with cultured artist Maria Cosway, but, when his daughter visits from Virginia accompanied by her attractive slave, Sally Hemings, Jefferson's attentions are diverted.

Jefferson in Paris

1995
Mrs. Dalloway
5.6

Clarissa Dalloway looks back on her youth as she readies for a gathering at her house. The wife of a legislator and a doyenne of London's upper-crust party scene, Clarissa finds that the plight of ailing war veteran Septimus Warren Smith reminds her of a past romance with Peter Walsh. In flashbacks, young Clarissa explores her possibilities with Peter.

Mrs. Dalloway

1997
Cotton Mary
5.0

A British family is trapped between culture, tradition, and the colonial sins of the past.

Cotton Mary

1999
Quartet
5.8

When her husband's arrest leaves her penniless, a woman accepts an invitation to move in with a strange couple.

Quartet

1981
Mr. & Mrs. Bridge
6.1

Set during World War II, an upper-class family begins to fall apart due to the conservative nature of the patriarch and the progressive values of his children.

Mr. & Mrs. Bridge

1990
The Bostonians
5.6

A bored lawyer and a suffragette vie for the attention of a faith healer's charismatic daughter.

The Bostonians

1984
Merchant Ivory
7.7

The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.

Merchant Ivory

2024
Heat and Dust
6.0

Anne is investigating the life of her grand-aunt Olivia, whose destiny has always been shrouded with scandal. As Anne delves into the history of her grand-aunt, she is led to reconsider her own life.

Heat and Dust

1983
The Europeans
5.6

An adaptation of Henry James' novel about the Countess Eugenia Münster and her brother Robert, expatriate Americans who have grown up in Europe. Returning to prosperous relatives in New England, Eugenia hopes to make an advantageous marriage with a wealthy cousin. While Eugenia encounters obstacles, Robert finds his suit bearing fruit.

The Europeans

1979
The Deceivers
5.2

India, 1825: the country lives in mortal fear of cult members known as the “Deceivers." They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a “Deceiver” and infiltrate their numbers. Ever present in Savage’s adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult’s blood lust firsthand.

The Deceivers

1988