E.M. Forster
Writing
Biography
Edward Morgan Forster OM CH (1 January 1879 – 7 June 1970) was an English author. He is best known for his novels, particularly A Room with a View (1908), Howards End (1910) and A Passage to India (1924). He also wrote numerous short stories, essays, speeches and broadcasts, as well as biographies and pageant plays. His short story "The Machine Stops" (1909) is often viewed as the beginning of technological dystopian fiction. He also co-authored the libretto to Benjamin Britten's opera Billy Budd (1951). Many of his novels examine class differences and hypocrisy. His views as a humanist are at the heart of his work. Considered one of the most successful of the Edwardian era English novelists, he was nominated for the Nobel Prize in Literature in 22 separate years.[1][2] He declined a knighthood in 1949, though he received the Order of Merit upon his 90th birthday.[3] Forster was made a Member of the Order of the Companions of Honour in 1953, and in 1961 he was one of the first five authors named as a Companion of Literature by the Royal Society of Literature. After attending Tonbridge School, Forster studied history and classics at King's College, Cambridge, where he met fellow future writers such as Lytton Strachey and Leonard Woolf. He then travelled throughout Europe before publishing his first novel, Where Angels Fear to Tread, in 1905. The last of his novels to be published, Maurice, is a tale of homosexual love in early 20th-century England. While completed in 1914, the novel was not published until 1971, the year after his death. Many of his novels were posthumously adapted for cinema, including Merchant Ivory Productions of A Room with a View (1985), Maurice (1987) and Howards End (1992), critically acclaimed period dramas which featured lavish sets and esteemed British actors, including Helena Bonham Carter, Daniel Day-Lewis, Hugh Grant, Anthony Hopkins and Emma Thompson. Director David Lean filmed another well-received adaptation, A Passage to India, in 1984.
Known For
A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.
BBC Play of the Month
Out of the Unknown is a British television science fiction anthology drama series, produced by the BBC and broadcast on BBC2 in four series between 1965 and 1971. Each episode was a dramatisation of a science fiction short story; some were created for the series, but most were adaptations of already published stories. The first three years were exclusively science fiction, but that genre was abandoned in the final year in favour of horror and fantasy. A number of episodes were wiped during the early 1970s, as was standard procedure at the time.
Out of the Unknown
After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.
Maurice
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
Howards End
The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.
Howards End
When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?
A Room with a View
Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.
A Passage to India
When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?
A Room with a View
When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?
A Room with a View
An English widow goes to Italy, falls in love with a dentist's son and marries him, against her straitlaced family's wishes.
Where Angels Fear to Tread
A seaside resort in 1938. For Hilda, it seems as if romance almost died when she married school teacher Ernest. Only the movies can keep this spark alive. As she follows her pompous husband up the cliff walk to visit the obelisk, she wonders how he will react to the two sailors who want to join them.The boisterous Tiny is rather coarse, but his friend Stan has lovely manners and such very blue eyes....
The Obelisk
A man suddenly finds himself removed from his virtual reality world when a plug falls out of a socket. When he and another person notice another socket, they start a race to reach it first.
Plug
A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?
Billy Budd
A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.
A Diary for Timothy
A film about the life of A Passage to India author E M Forster, following his huge growth as a writer and the twists and turns of his personal life.
E. M. Forster: His Longest Journey
John Dexter’s brilliant production of Britten’s searing opera stars Dwayne Croft in the title role of the handsome young sailor whose kindness and innocence cause his downfall. The great James Morris is Claggart, master-at-arms on the 18th-century warship Indomitable, who falsely accuses Billy of inciting a mutiny. Philip Langridge sings Captain Vere, the honest commander who knows that Billy is innocent but finds himself unable to save him. Steuart Bedford, Britten’s close collaborator during the last years of the composer’s life, is on the podium.
Billy Budd
The BBC's 1965 adaptation of E.M. Forster's novel, screened as part of their Play of the Month strand, adapted by Santha Ramu Rau and John Maynard, and directed by Waris Hussein.
A Passage to India
An opera by Benjamin Britten, on a libretto by E.M. Forster and Eric Crozier, adapted from the story by Herman Melville. Billy Budd is a young sailor aboard a British man-o'-war, persecuted by his master-at-arms, Claggart. Accused of mutiny, Budd accidently strikes Claggart dead, leaving Captain Vere with no choice but to hang him.
Billy Budd
A somewhat unhappy man and wife are touring New York's Prospect Park, when they encounter a pair of sailors on shore leave. The wife and one sailor give in to their desire and tarry a bit. Later, after they all get back together, the wife realizes she is not the only one with unsatisfied desires.
Desire
The premiere of Benjamin Britten's Billy Budd in Madrid is undoubtedly one of the highlights of the Teatro Real's bicentennial celebrations. Its magnificent libretto, based on the novel of the same name by Herman Melville, tells the story of the sailor Billy Budd: a handsome, loyal, generous, strong, naive, and kind young man whose beauty and personality drive the ship's master-at-arms mad. Unable to control the situation, the master crucifies the naive young man without mercy. This new production by the Teatro Real is being presented for the first time in Madrid, in co-production with the Opéra national de Paris, under the direction of Deborah Warner, one of the great names in stage direction today.