Irena Kačírková

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Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

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The boy Simplizissimus grows up with simple farmers in the Spessart region. But the idyll is abruptly destroyed by the Thirty Years' War. Simplizissimus is sent to the besieged fortress of Hanau. When the lansquenets there play crude jokes on him, he flees with his friend Herzbruder to the Croats. But even here he does not fare much better.

A few bus-loads of holidaymakers from the agricultural cooperative on a day trip arrive to see the show at the Slavia Circus. But, they have bad luck. It is Monday, the day on which the employees have their extra day off.

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A selfish self-centered widowed ruler, barely tolerated by his subjects and called appropriately enough, 'King Myself, First' asks his three daughters to name the measure of their love for him. When one of them says, "more than salt", he banishes her from the kingdom. Not understanding what she meant the King assumes love can only be measured by precious metals or one's own talent, the 'correct' answers from his other two daughters. The arrogance of the King leads him to gather all the salt in the kingdom and destroy it. Of course, this backfires as he slowly learns the universal value of the substance, and of course, the essence of his daughter's reply. With the help of the wise and magical old 'herb woman', the King also learns what it means to be a true and wise ruler.

The year is 2163. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

A film of the Czech multimedia theatre production, Magician's Lantern. Eight Czechoslovak directors filmed a choreographic performance conceived and directed by director Alfred Radok and artist Josef Svoboda. This performance consists of twelve scenes: "Introduction", "Airport", "Rhythms", "Cymbal Concert", "Inspiration", "Hoop Dancer", "Spartakiade", "Dvořák's Slavonic Dance", "Prague Spring", "Love is a Fatal Game", "SL'UK", and "Finale".

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The achievements of socialism must be protected by all means - and it can even be fun. The Svazarmov paratroopers convince the casual cooperative members that the military education of the population must not be underestimated; they simply carry out an ambush.

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An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.

Comedy, 1974 (Czech Republic) : The movie takes place in England. A group of married middle-aged gentlemen have founded a pretense amateur Egyptology society to maintain some degree of freedom from their wives. The elaborate trick gradually escalates into more and more tangled web of lies and tricks, until they have no option but to disband the society for good.

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A comedy about Simon, an honest, clever confectioner. In practical life, the humble bachelor becomes an easy prey to his boss, his mother, and hordes of women eager to get married. The story incorporates well-tested methods of nearly all major periods in the history of film comedy: from a lumierish etude with the garden hose to a melancholic tramp to the menace of the streets Jacques Tati. Director Juraj Herz made a major contribution to the modest tradition of Slovak film comedy.

As a young actor František Lukávec and his teacher Vladimir Tuma became enemies. František insisted that Tuma was dismissed from the school as a reactionary and hostile to the new government. Many years passed, and here they met again on the stage of a theater. František is assigned the role of Julius Fucik, Tuma plays the role of a Gestapo man in the same play. In the course of the action, the Gestapo man beats Fucik. Taking advantage of this opportunity, Tuma beats up his old enemy during the dress rehearsal. Frantisek's face is bleeding, but he will still play. The rehearsal continues...