André Valmy

Les Cinq Dernieres Minutes is a crime based French television series

Ulysses and his crew struggle against the divine entities that rule the universe, the ancient gods from Greek mythology.

Six people travel by overnight train from Marseilles to Paris. When they arrive, one of them, a young woman, is found dead in a sleeping berth. The police, led by Inspector Grazzi, investigate the other five passengers, suspecting that one among them was responsible. However, as the investigation is stepped up, the others start turning up dead. It's up to the remaining two to solve the case, lest they become the next victims.

Quentin Durward is a French-German swashbuckler TV series. It was produced in 1970, directed by Gilles Grangier and broadcast in 1971. The series starred the German actor Amadeus August as the protagonist and the French actress Marie-France Boyer as Isabelle de Croye. The series was based on Sir Walter Scott's in 1823 published novel Quentin Durward. It concerns a Scottish soldier who serves French King Louis XI while the King has to overcome the schemes of his rival Charles the Bold and Jean Balue. The TV series kept close to the classic novel and was often shot at historic French locations. The French version consists of 7 instalments of 52 minutes each, while the dubbed German version had 13 episodes of about 25 minutes apiece. Both versions have been made available on DVD.

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

When seven archaeologists find an ancient Inca temple, they become victims of an ancient curse. Back in Europe, one by one they fall into a deep sleep and only once a day, all at the same time, they wake up for a few minutes and experience hallucinations where the sinister living mummy of Rascar Capac appears.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.

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Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.

OSS 117 is asked for help by a female acquaintance Muriel Rousset. She beseeches him to retrieve secret documents which have been stolen from Sir Anthony Lead, the father of Anita and Marion. He complies with her wish and no obstacle or danger can hinder him from meeting her expectations.

A young garage owner, Henri, whose business is not going well, fixes the lovely Gloria's car on the road. She suggests he let part of his garage to her friends.

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During the Second World War, Georges Masse undergoes a dangerous mission by taking secret documents from Tangiers to London.

In a factory working for the National Defense, an employee steals a prototype. In charge of the investigation is Francis Coplan.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

Bob Stanley was an American secret agent during World War II in France. After the war Stanley returns to France as a consul. In reality, he works for the FBI, to roll up the organization that manufactures fake U.S. dollars. A violent confrontation is insurmountable.

An honest taxi driver gets into trouble by looking for a customer who left her purse full of cash in her vehicle.

Didier Formenter, the French scientist, has just put the final touch on an invention that will be able to destroy to destroy any sort of flying apparatus. An international crime gang is very interested in stealing this equipement to sell it to the higher bidder of lawless nations. Menaced, the scientist, who was friends with Nick Carter's father, calls Nick for help. At Nice airport, Nick Carter escapes death, but that night he is unable to stop Formenter's murder. He suspects Bruno, Formenter's adoptive son, and Tonio, the owner of a bar near Formentier's home. Bruno is actually after Formenter's heritage, and for that he tries to kill Catherine, Formentier's granddaughter. Therefore, Nick Carter finds himself against more than a gang, but he will uncover the plots, in time to break every gangster apart.

The film shows the seizure of power by the Nazis and Hitler wants a trial, at a time when France has just declared war on Germany (Sept. 3, 1939). Hybrid composition, it alternates originals and reconstructions performed by actors (docudrama). A not-so-subtle condemnation of Hitler, Nazism and Germany by the movie's French film makers, which conveniently makes no mention of how the policies of Great Britain and France created Hitler and allowed him to go as far as he did prior to the beginning of the Second World War.