Sergei Loznitsa

In 1937, amidst Stalin's Great Terror, a newly appointed prosecutor for the USSR is made aware of alleged corruption in the Secret Police, and takes it upon himself to investigate.

A comprehensive chronicle of the consequences of Russia's invasion of Ukraine in 2022. How citizens live in wartime, how violence and death condition daily life: from schools in bomb shelters to rehabilitation centers for the maimed; wounds and silences, gestures and words.

A woman lives in a small village in Russia. One day she receives the parcel she sent to her husband, serving a sentence in prison. Confused and angered, she sets out to find why her package was returned to sender.

Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.

'Artel' portrays one day in the life of a small fisher community in the north of Russia.

Alexey is shooting a movie about himself. He is in search of a boyfriend. Everything would be alright, if Alexey's mother could accept his sexuality. Alexey comes to visit her and admits that he likes boys, saying 'Don't you anticipate any grandchildren from me'. We find Alexey at Tarkovsky film festival, where he apparently came to rest. Alexey meets Grisha, and a stormy holiday romance begins.

Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces an impossible moral choice.

The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

It was filmed in rural Russia, near the city of Smolensk. It shows a small village, where all young people are gone and only older people are left.

June 2023, one year since Russia invaded Ukraine. In Kyiv, a class is visiting the Natural History Museum, guided by a paleontology teacher who transports the schoolchildren into a faraway and peaceful world.

The film observes visitors to a Holocaust memorial site on a former concentration camp, exploring their reasons for visiting and what they seek, and serves as a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

In the historic Donbass region of eastern Ukraine, despite the cruel war that has been raging since 2014 between the self-proclaimed People's Republics of Donetsk and Luhansk and the Ukrainian government, people try to survive in the rotten heart of chaos, where violence disguises itself as peace, propaganda becomes univocal truth and hatred reigns in the name of love.

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

In August 1991 a failed coup d'état attempt (known as Putsch) led by a group of hard-core communists in Moscow, ended the 70-year-long rule of the Soviets. The USSR collapsed soon after, and the tricolour of the sovereign Russian Federation flew over Kremlin. As president Gorbachev was detained by the coup leaders, state-run TV and radio channels, usurped by the putschists, broadcast Tchaikovsky's "Swan Lake" instead of news bulletins, and crowds of protestors gathered around Moscow's White House, preparing to defend the stronghold of democratic opposition led by Boris Yeltsin, in the city of Leningrad thousands of confused, scared, excited and desperate people poured into the streets to become a part of the event, which was supposed to change their destiny. A quarter of a century later, Sergei Loznitsa revisits the dramatic moments of August 1991 and casts an eye on the event which was hailed worldwide as the birth of "Russian democracy".

The film shows life in contemporary Sarajevo as reflected through glass covers of the black-and-white photos of its defenders, taken by the Bosnian photographer Milomir Kovacevic in 1992 during the siege of the city.

A remote village in the Northwest of Russia. A mental asylum is located in an old wooden house. The place and its inhabitants seem to be untouched by civilization. In this pristine setting, no articulate human voice is heard, and pain is muted. The landscapes and buildings are not so much inhabited as lightly entwined and then passed through by their anonymous residents, like some creeping mist. Phantoms half stuck, half undone in a phantom world—lost persons from a lost society?

Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they live in. United by the movement of the camera, the place and the people blend together.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

A critical and objective look back at Ukraine's tumultuous and tragic history, from its mythical founding in the 10th century to the Russian invasion in 2022.

Is it morally acceptable to use the civilian population as yet another tool for waging war? Is it possible to justify death and destruction for the sake of supposedly lofty ideals? The question remains as pertinent today as it was at the beginning of World War II, and it is becoming increasingly urgent to answer, as countless tragedies have been caused by unethical political decisions.