Directing
Concepcion de la Playa Setta, an Andalusian noblewoman, the daughter of the provost marshall of Flanders, is in love with the Duke Philippe de Hornes. He is a Brussels gentleman in revolt against her people, the Spanish occupiers. When her rebellious lover is hurt during an uprising against the troops of Philip II, Concepcion takes him in in her house. And she personally defends him when, at his trial. Condemned to be hanged through the intervention of the Duke of Alba, de Hornes is eventually reprieved by the new governor and set free. The two lovers meet again and can live happily from now on.
During a stay in Seville, Empress Eugénie was charmed by the song of Violetta, a flower girl of gypsy origin. She invites her to Paris where she becomes a prima donna.
In a small east-european ghetto, the Jewish family is celebrating Easter. The fraternal dissonance between the Sigoulim brothers pretty accurately mirrors the strife between the two powers, one surrounding Samuel, a devoted rabbi, and the other around MoĂŻse, a talented money lender. MoĂŻse becomes the king of petrol and ships to London with his niece Lia. Conflict continues and leads to the violent strike by oilworkers...
This murder mystery is set in a Parisian cafe and examines the mysterious murder of a famed journalist and extortionist who is killed at his table in the cafe. Though the prime suspects are gathered together( including his wife and her lover, the gun-runner, the creditor, and a playboy) and all of them have motives, none of them did it. So whodunit?
This historical melodrama (later remade by Henry Roussel himself in 1932 and Richard Pottier in 1952) set during the reign of Napoleon III of France. Here, Raquel Meller plays a Spanish flower girl who saves the life of the French empress Eugenie de Montijo (played by Suzanne Blanchetti), by taking her place in her carriage. When the carriage is overthrown by the anarchist's bomb, the girl survives because of the masses of violets in the imperial carriage, the empress' favorite flowers.
Poor Arlette is married off by her well meaning mother to a supposed count who turns out to be a fake and a crook.Arlette seeks out the real count, to whom in name technically she is married.
Tells the tragic story of a young trapeze artist (Polaire) abandoned and found by a clown when she was a baby.
Violeta, an Andalusian gypsy, foretells a lady she will become empress. The lady is Eugenia de Montijo, and when she marries emperor Luis NapoleĂłn of France she takes the young girl with her. The empress'cousin readily makes her his focus of attention, then she discovers a criminal attempt against the empress.
This French film confection directed by Henry Roussell concerns two young Parisian beauties in love with same fellow (Fernand Fabre). When one of the girls (Suzy Vernon) goes to America, the one who stays home (Esther Kiss) thinks shes triumphed. But when the traveler returns and the guy goes for her new-found sophistication, the competition continues- including the hilariously mock-heroic duel we see in this four-sheet design.
No description available.
"A charming story of a young society girl and the pathetic love of a youth..." Considered a lost film.
A silent French film about Napoleon.
Adaptation of the Émile Gaboriau novel.
Ginette is always squabbling with her mother and she cannot take it any more. One day, she asks Jim Ashbury to intervene and this is how the son of a wealthy lord gets involved in the life of a pretty Jane Doe. Charmed by Ginette, Jim invites her to a cruise on the Mediterranean. It does not take long before Cupid sends his arrows at the two young people but things are not so simple for all that. Jim indeed fears Ginette might want to marry him for money, which is totally wrong. Fortunately, Lord Ashbury manages to persuade his stubborn son of his error.
A young singer at the Opera finds out who really loves her, when the theater catches fire on the opening night of the performance.
The story takes place in Corsica, where a young business woman (Jacqueline Forzane) tries to construct an electric system for her steel plant. But this project is not welcomed by everyone...
Ginette, a Parisian seamstress, lives poorly but happily with her musician lover. When Count la Ferronnière offers to teach her the manners and behaviours that will open her the doors to a richer world, she quickly chooses wealth over love.
Hortense Fauvel, the wife of a village postmaster, takes Aimée, a young shepherdess, under her wing. Aimée soon becomes engaged to François, the Fauvel’s loyal servant. At a fête hosted by the Count of Granval, Aimée gives her fiancé a knife, telling him that he should kill her if ever she ceases to be faithful to him. That same day, the Count is planning to have an amorous liaison with Hortense, but Aimée intervenes. To save her mistress from a scandal, Aimée tells the postmaster that it is she, not Hortense, who has been seeing the Count. Disgraced, Aimée is dismissed by the postmaster. François contemplates his revenge and recalls what Aimée said to him.
Believing that her husband is cheating on her, Jacqueline decides to take revenge and goes to find Ernest, a chilled sigh. But in her bachelor apartment, she cannot decide to push her revenge to the end.
