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Pim de la Parra

Pim de la Parra

Directing

Biography

Pim de la Parra (5 January 1940 – 6 September 2024) was a Surinamese-Dutch film director. De la Parra was born in Paramaribo and is partly of Portuguese-Jewish descent. He was educated at the Netherlands Film Academy. He became an editorial board member of the film magazine Skoop from 1963 which had been established by other students of the Academy.Between 1967 and 1976, he directed films under the independent production company Scorpio Films with Dutch film director Wim Verstappen, who managed all of its achievements. After a few short films, he began his career as an international director with Obsessions (1969), co-written by Martin Scorsese. He co-produced Blue Movie (1971) by Wim Verstappen, which was one of the most erotic movies of its time, showing nudity with a realism that confounded critics and censorship authorities. It was followed by Frank en Eva (1973), Alicia (1974), Dakota (1975) and Mijn Nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975), these four films forming an erotic tetralogy written with Charles Gormley. In 1976, he directed Wan Pipel, the first film shot entirely with actors from Suriname. De la Parra had two daughters: the actress Bodil(born 1963) and the comedian Nina (born 1987). His son, Pimm Jal (born 1966) died in 2002. De la Parra died in Paramaribo on 6 September 2024, at the age of 84.

Known For

Parradox
5.0

"Pim is more consummate," actress Willeke van Ammelrooy concluded upon seeing Pim de la Parra again in Suriname, at the presentation of the restored version of his film Wan Pipel. This marked the end of her disagreement with the director, which arose during the making of this film, some 35 years ago now. The charming director doesn't seem like the kind of man you can stay angry with for long. Wan Pipel turned out to be a watershed in the career of this headstrong filmmaker, who shook up the Dutch film world in the late 1960s. Although he went on to fight back with his so-called "minimal movies," he would never again get the opportunities his talent and inventiveness deserved. In Parradox In-Soo Radstake provides a personal portrait of De la Parra, now 70 years of age, who after many adventures in the Netherlands has returned to his native Suriname. He discusses the major themes of his life and work, which for a long time coexisted: too many women, too little money, too much ego.

Parradox

2010Movie