Writing
Sarah returns with her father and uncle to fix up the family's longtime summerhouse after it was violated by squatters in the off-season. As they work in the dark, Sarah begins to hear sounds from within the walls of the boarded-up building. Although she barely remembers the place, Sarah senses the past may still haunt the home.
Fernando, a lonely and tormented man, gets a job as a night watchman in a warehouse close to being demolished. The building is huge, with several floors and wings interconnected by a confusing network of corridors and stairs. One night, Fernando hears strange noises and finds a gate open that should be closed. From that moment on, nothing will be the same.
Carla and Román are friends since adolescence, but do they really know each other? By resenting after a while, they will talk about what's unresolved: the mutual attraction and the love they share.
Laura and her father Wilson arrive at a cottage off the beaten path in order to repair it since its owner will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
Cecilia and Carlos, a daughter and a father, inspired a Norwegian play written by Elin Moe that deals with the consequences left in their lives by the Uruguayan dictatorship. Cecilia directed this film close to the premiere of the play, where Carlos talks about his unspoken truth: his years in prison and his exile.
