Gonzalo Suárez

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

Set in a crumbling Spanish mansion, this gloriously comic and gothic story follows the fortunes of an innocent young priest as he enters a world of moral decadence, sexual intrigue and corruption of an aristocratic family in nineteenth-century Galicia.

All hell breaks loose when an eccentric theatrical ensemble arrives in Oviedo, Spain to stage a production of the Leopoldo Alas play -La Regenta.

Cebrian, a blast furnace worker Asturian, being held at the Civil Guard barracks. There has to be accountable for the disasters in a day of party with two friends.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

A publisher of novels begins to receive packets containing macabre: members of a female corpse. The appearance of a mysterious woman who seems related packages will lead to a situation of dramatic denouement.

A few days ago, Lucia (Assumpta Serna) receives anonymous letters in which he is forced to perform certain actions that she accepts without question. Her current boyfriend, Arthur (Xabier Elorriaga), suspects the mysterious sender can be Lucia's former lover, whose strange death never reached clarified. Now it's time it's Arthur who put the cards on the table to get to the bottom of it.

Doctor Beiral, torn apart by the internal struggle between his social persona and the dark instincts that torment him, manages to use his investigations to give life to the monster that he has long held within him.

Adapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired in Oviedo. The young Ana, married to a retired regent, lives oppressed by the provincial hypocrisy and the mystical fears of an absorbing religion. Sexually dissatisfied, beset by constant erotic dreams, she reveals in her confessional her intimate torments, and her confessor begins to feel a morbid passion for her. At the same time, Álvaro Mesía, a Don Juan, intends to seduce Ana.

In a European city agitated by racial unrest, a powerful tycoon must face the only thing he cannot deceive or corrupt: death. Meanwhile, a detective tries to find the woman he loves, and, at the same time, an innocent young woman follows him with the crazy purpose of bringing her son, who has been killed in the crib by a gunman, back to life.

Newlyweds have decided to spend the honeymoon in the middle of a forest and sheltered in a caravan. Relations between the two start to get confused, especially when she begins to obsess over a nearby house and with eyes that seem to spy on her with lust.

Ramiro Forteza is a Premier League goalkeeper whom the Civil War and the rigors of the war led to make a living visiting villages and challenging locals to mark him penalty goals. One evening he arrives to a town in Asturias and meets Manuela, a young widow with a son, who survives sewing for Ursula, Andrade's wife, the Civil Guard sergeant.

A child is witness to an assault on a monk by the gang of Lorenzo the Fifth. The monk escapes and takes refuge in the estate of Doña Carlota, a countess who lives with her son Juan and daughter Beatriz. Basilisa, the maid, conjures the devil to free her son from an irreversible illness, but to do so the evil must be transmitted to an innocent soul, and for that she chooses Beatriz. The child begins to be the victim of a possession, for which everyone blames the monk.

The relationship of a adult man and a young girl.

Gim, an attractive advertising model, decides to face her destiny and confront a mysterious serial killer who relentlessly pursues the most beautiful women in a disturbingly empty city.

Ursula Alejandra Nicholson, the Carrot Queen, an extravagant American millionaire, arrives in Spain. J.J., a suave and ambitious executive, decides to become involved in the American carrot industry. To do so, he will take advantage of an unhappy bookseller, pulling him into a delirious misadventure that serves as a political satire.

With the help of drawings and comic strips. brings together short films, on children's themes, in which rights that children and adults should enjoy are defended. For the first time, a whole series of important Spanish directors meet to make a children's film.

After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.